As the CCJ transitions to a
model better geared to leverage social networks, we are
moving away from our past use of email notification
services. If you would like to be added to our internal
email distribution, please send your request to
Rick@RARWRITER.com.
You can also follow us on
Facebook and
Twitter, which we will use to keep you notified of new
features and news articles.
ABOUT RAR: For those of
you new to this site, "RAR" is Rick Alan Rice, the publisher
of the RARWRITER Publishing Group websites.
Use this link to visit the
RAR music page, which features original music
compositions and other.
ATWOOD - "A Toiler's Weird Odyssey of Deliverance"-AVAILABLE
NOW FOR KINDLE (INCLUDING KINDLE COMPUTER APPS) FROM
AMAZON.COM.Use
this link.
CCJ Publisher Rick Alan Rice dissects
the building of America in a trilogy of novels
collectively called ATWOOD. Book One explores
the development of the American West through the
lens of public policy, land planning, municipal
development, and governance as it played out in one
of the new counties of Kansas in the latter half of
the 19th Century. The novel focuses on the religious
and cultural traditions that imbued the American
Midwest with a special character that continues to
have a profound effect on American politics to this
day. Book One creates an understanding about
America's cultural foundations that is further
explored in books two and three that further trace
the historical-cultural-spiritual development of one
isolated county on the Great Plains that stands as
an icon in the development of a certain brand of
American character. That's the serious stuff viewed
from high altitude. The story itself gets down and
dirty with the supernatural, which inATWOOD
- A Toiler's Weird Odyssey of Deliverance is the
outfall of misfires in human interactions, from the
monumental to the sublime.The
book features the epic poem"The
Toiler"as
well as artwork by New Mexico artist Richard
Padilla.
Elmore Leonard
Meets Larry McMurtry
Western Crime
Novel
I am offering another
novel through Amazon's Kindle Direct Publishing service.
Cooksin is the story of a criminal syndicate that sets its
sights on a ranching/farming community in Weld County, Colorado,
1950. The perpetrators of the criminal enterprise steal farm
equipment, slaughter cattle, and rob the personal property of
individuals whose assets have been inventoried in advance and
distributed through a vast system of illegal commerce.
It is a ripping good yarn, filled
with suspense and intrigue. This was designed intentionally to
pay homage to the type of creative works being produced in 1950,
when the story is set. Richard Padilla
has done his usually brilliant work in capturing the look and feel of
a certain type of crime fiction being produced in that era. The
whole thing has the feel of those black & white films you see on
Turner Movie Classics, and the writing will remind you a little
of Elmore Leonard, whose earliest works were westerns.
Use this link.
EXPLORE THE KINDLE
BOOK LIBRARY
If you have not explored the books
available from Amazon.com's Kindle Publishing
division you would do yourself a favor to do so. You
will find classic literature there, as well as tons
of privately published books of every kind. A lot of
it is awful, like a lot of traditionally published
books are awful, but some are truly classics. You
can get the entire collection of Shakespeare's works
for two bucks.
Amazon is the largest,
but far from the only digital publisher. You can
find similar treasure troves at
NOOK
Press(the
Barnes & Noble site),Lulu,
and others.
Who Is Paul McCartney?
Back
in 1969, Life magazine did a brief check on Paul McCartney, who
they found at home, on his farm in Scotland, with his wife Linda and
their young children. He had gone missing from the public eye around the
time that the "Paul is Dead" story, along with a few years worth of
attendant clues on Beatles albums, landed big on the minds of
American youth. It was almost as if the British Invasion, heralded by
The Beatles and other British bands in 1964, was landing again. Beatles albums started
flying off the shelves as fascinated Americans bought two and three
copies of each, which they wore out by tracking them backwards as they
listened for Beatle confessions, such as "I buried Paul".
McCartney, judging by the tone of the article, which
you can read in full at
http://www.beatlesinterviews.org/db1969.1107.beatles.html, seemed
not to be amused by the ensuing hubbub, which brought a magazine reporter
and photographer to his northern rural retreat.
"I would rather do what I began by doing, which is making music. We
make good music and we want to go on making good music. But the Beatle
thing is over. It has been exploded, partly by what we have done, and
partly by other people. We are individuals-- all different. John married
Yoko, I married Linda. We didn't marry the same girl."
"The people who are making up these rumors should look to themselves
a little more. There is not enough time in life. They should worry about
themselves instead of worrying whether I am dead or not."
"What I have to say is all in the music. If I want to say anything I
write a song. Can you spread it around that I am just an ordinary person
and want to live in peace? We have to go now. We have two children at
home."
Rumor Reborn - Paul is Dead Again
Over the past decade, as the now 76-year old
"Sir Paul McCartney" continues to tour and play around the world, the "Paul is Dead" rumor has gained new life as a
popular internet theme. YouTube has numerous "investigators" reporting
on this story that has gained in nuance and complexity over the years.
If somehow you missed this, the story is that Paul
McCartney died in 1966 and was secretly replaced by a look-alike, who is
the guy we know today as Sir Paul McCartney.
Even if you
find the
conspiracy idea to be patently ridiculous, there is a long list of odd things about
the Paul McCartney
story that make it impossible to disregard:
PHYSICAL CHANGES: McCartney disappeared from public view in the
final months of 1966, and when the public saw him next, in 1967, he
looked physically different.* All The Beatles looked different
stylistically from
the way they did as the Fab Four, but McCartney seemed to have
morphed into a whole different guy.
McCartney in 1967 seems to have a longer face than
the round-faced Paul of 1966 and earlier. His chin seems longer, and
more pointed.
The Paul we all fell for
in 63-64 had huge ears that connected at their bottoms to the sides
of his head, rather than in hanging lobes. The 1967 Paul has hanging lobes, and the ear
structure is different.
Paul before 1966 seemed to have brown eyes, while the
1967 Paul seemed to have hazel or green eyes.
Early Paul appeared to be about the same height as
John Lennon, but the 1967 Paul looks significantly taller. Is it
possible that McCartney had a growth spurt in his mid-20s?**
FINGERPRINT IRREGULARITIES: In 1980, while touring with Wings, McCartney was
detained in a Japanese jail for nine days while authorities
attempted to rectify differences in the McCartney fingerprints on
file with InterPol - McCartney had a police record from a fire prank
he pulled that got him deported from Germany in his early Beatle
days - and those of this guy they had jailed for passport forgery and
marijuana possession. The Japanese felt they had a McCartney
imposter behind bars. The British government, in the form of
Scotland Yard, came to McCartney's
rescue, but there was never an explanation for the fingerprint
mismatch.
FORENSIC ANALYSIS OF FEATURES: In 2009, Wired magazine in Italy reported on
the investigations of two Italian forensic analysts who examined
photographic features of pre-1966 Paul and 1967 Paul and determined that they
are not the same person.
VOICE ANALYSIS: Forensic analysis of McCartney vocals over the years
have yielded contradicting results, with one suggesting that the
singers of "Yesterday" and "Blackbird" are two different people, and
another suggesting that changes in McCartney's voice over the years
are typical of aging.
DNA
ANALYSIS: Before The Beatles became an international sensation,
and were playing in Germany, McCartney fathered a child (named
Bettina) and paid the family of the girl (Hubers) a sum of money
that was intended to quiet the issue. The Hubers family pursued
McCartney for years to gain child support payments. When Bettina
turned 18, McCartney's lawyers felt their client could no longer be
considered
responsible for child support, but the German courts pursued the Hubers' case and demanded a DNA
test to show paternity. McCartney was barred from playing in Germany until that test
was completed. The DNA results showed that the DNA of the guy we
know as Paul McCartney did not match that of Bettina's father,
1962 Paul, meaning new-Paul, or "Faul" as he is sometimes called, was off the hook for
any further demands for child support. The Hubers family
suggested that the guy who gave DNA and signed the court papers was
not the real Paul McCartney - he wasn't even left-handed.
*This statement is
highly contested, which is a story in itself. Some people see a
different Paul in 1967 and thereafter, where others see the same
guy we all knew since at least 1963.
**This, too, is an
observation open to dispute. Photographs of the four Beatles over the
years leave no clear sense of their relative heights, other than that
Ringo was significantly shorter than the others. One might think a
researcher could find Sir Paul's driver's license statistics and compare
to Paul's license stats in the early '60s. On the other hand, the
conspiracy suggests that the British government was deeply involved, and
as the government issues driver licenses any evidence they might present
would likely be subject to suspicion.
Photographic
Evidence and Beatles Doubles
Analysis of Beatle photographs is greatly
complicated by the The Beatles' use of body doubles after the hysteria
surrounding their international fame made them prisoners, completely
unable to visit public places. Fans camped in front of their homes,
making it impossible for them to leave without creating an event, so
they employed doubles to throw the public off track.
Some of these doubles went on to become famous people in their own
right, among them Spencer Davis (Spencer Davis Group) and
Denny Laine (The Moody Blues, Wings). It is entirely likely that even some of
the most widely-circulated Beatles photographs include images of Beatles
doubles. For instance, internet researchers have suggested that these
photographs below are of at least three different people. Some say there
is one Paul pictured twice in the line below, that being the guy in the 1st
and 4th photographs in this row. I don't know that any of them look like
the Paul McCartney I first saw in 1964.
It was the fifth image above (from left), which is from The Beatles
video for "Hey Jude", that struck me as noteworthy. I recall the first
time that I saw that video in 1969. I hadn't seen Paul McCartney in a
while, and my first impression upon seeing him in the "Hey Jude" video
was that there was something wrong with him, that he might be ill. He
just didn't look right to me. It certainly never occurred to me that he
wasn't the same Paul.
In that photograph, does he look like any
of the others shown here? And if not, what would account for that? That
is, if he is Paul McCartney?
What is this Conspiracy Theory Really About?
Some would
suggest that the bands of the 1964 event known as "The British Invasion"
were involved in a literal invasion of the United States by Great
Britain, orchestrated by British intelligence.
Fifteen years into the reconstruction of
Europe and Asia, following the end of World War II, the United States
reigned as the supreme industrial and military power in the world. The
reason was simple: America had not been bombed into oblivion like those
theaters of war had; in fact, the U.S. had extended its dominance in the
world by reconverting parts of its military industrial muscle into
peace-time production. American manufacturers sold products throughout
the world, often against limited competition, and the American middle
class exploded in size as the 20th became known as "the American
Century".
History, since the time of the Crusades,
has revealed that bankers pull the strings that create world events, and
by the 20th Century the center of world banking and finance was in
London, specifically in the City of London, which is the ancient center
of greater London. That unique sovereign state within a country had
become the beneficiary of a world created by a Venetian Banking System,
which in the 11th through the 13th centuries had indebted and exploited crusading Christians to sack the ports
of the Middle East and capture trade to the region. With the largest
trading fleet in the world at the time, the Venetians were a power in themselves
and owed allegiance to no nation.
Some would say that the "Black Venetians",
as some call them, were the progenitors of today's "New World Order"
idea, or maybe they are simply the same. "Modern banking" was essentially invented by powerful families in
Florence, including the Acciaiuoli, Mozzi, Bardi and Peruzzi families.
The famous Medici family founded a bank in 1394 that operates to this
day!
Those families created their banks in
response to Italian Christians who had devised ways around usury laws.
In many cultures it is considered a sin to charge interest on loans, and
these clever Christians had devised a workaround. Worse yet, a group of
Jews, according to common sources (see Wikipedia), also entered the
financing market and exploited usury opportunities through clever
manipulation of commodities trading. Driving it all was the Crusades,
which did for the Venetian bankers what WWII did for America. The door
to unethical banking practices had been pried open by competitors, and
the Black Venetians rushed to define the new world.
Countries were saddled with crushing debt
and by the 15th Century, all of the European countries were bankrupt, as
for a time were even the bankers, who began to migrate across Europe on
the way to their eventual relocation in the City of London. During that
time, the Rothschild banking family placed relatives in every royal
house in Europe and infiltrated the Venetian Banking System.
Those City of London bankers, and their
Queen, who in terms of money and holdings is the wealthiest person in
the world, are all about consolidating power under a single
global elite, and they and their intelligence operatives targeted the
U.S. in the 1960s. The U.S. was tilting the balance of power, and the
bankers rely on big expensive wars that never really end, which requires
a level of parity among their puppet nations. Employing advanced technologies in behavioral
manipulation and mind control, including the introduction of
mind-altering drugs, they unleashed a scheme to send America
into cultural and societal chaos.
They used the tools that had been
developed through research into the effects of trauma, learned through
two world wars and numerous other conflicts, and they set about
destroying the fabric of American society, in part through the cultural
influence of two of their prime weapons: The Beatles and The Rolling
Stones.
Kennedy Assassination
The Beatles have a strange association
with the Kennedy assassination of November 22, 1963.
They arrived in America, in February 1964,
when the country and even a shocked world needed comfort, which The
Beatles provided. It was uncanny and no one who was alive at the time
will ever forget it.
Traumatized, we all switched on Ed
Sullivan one Sunday night and suddenly it seemed like the world might go on
after all - The Beatles had arrived to snuff out the Blue Meanies. And
we gave ourselves to them, heart and soul.
Was that serendipity? Or was that part of
a plan?
The
Replacement: Vivien Stanshall?
However strange and confusing a McCartney
photo review might be, the next leap in this bizzarro replacement story
is one that I would find impossible to believe based on the photo at the
right.
The guy in the photo was a cabaret performer named
Vivien Stanshall, who was quite well
known to audiences in the U.K. in the 1960s. Stanshall achieved a level
of fame with an act he developed called the
Bonzo Dog Doo-Dah Band. Watch the video below to see
fascinating footage of the band at work, led by this character Vivien
Stanshall.
The Bonzo band included Neil Innes,
who would go on to star in The Rutles
movie, which was a send-up of The Beatles
that was mounted by Monty Python's Eric Idle
and financed by Beatle George Harrison.
The Bonzo band was a comic entertainment that presaged "Monty Python's
Flying Circus" and it caught the attention of
John Lennon and Paul McCartney, who would come to the clubs
to watch them play.
In fact, the Bonzo band, which was a nightclub act not at all focused
on creating original music and radio hits, were signed to a record label and
producing records. Under pressure to produce something commercial for
the radio, they enlisted Paul McCartney
to produce a song called "Urban Spaceman", which was a hit in the U.K.
in 1968.
Stanshall, Innes, and the Bonzo band were later featured in The
Beatles television special "A Magical Mystery Tour".
Funny and Brilliant-Weird: Stanshall World
Watching
Vivien Stanshall in the performance videos within the video
to the right, and thinking about the Paul McCartney we have known, and
still know today, one starts to imagine that this musical thespian might
have some physical characteristics in common with Paul McCartney.
Moreover, you seem to hear some of those comical character voices that
are like those often featured on Beatles tracks. Stanshall had the love
of old Vaudeville-type show tunes that we recognize in McCartney, and
both have a thing for the ukelele.
Credulity
strains, however, relative to the notion that Stanshall became
McCartney, under the weight of Vivien Stanshall's own successful career,
which continued until his death in a house fire in 1995. He was 51.
Stanshall looked like this in the end.
According to his Wikipedia page, that is him with his wife of 18
years, Ki Longfellow-Stanshall, who
wrote a book about his career and life - The Illustrated Vivian
Stanshall, a Fairytale of Grimm Art. Strangely, the illustrations in
the book are not Stanshall's, though painting and art design was a big
part of Stanshall's life. Ki Longfellow had a child with Stanshall and
she is quite an interesting character in her own right.
See her Wikipedia
page.
Stanshall was cremated and his ashes were placed in a mausoleum close
to those of his friend Keith Moon.
Or at least that's the official story, told through
a Wikipedia
page dedicated to Stanshall.
So how could the guy above be Paul McCartney? According to the account in the
fictional memoir of Billy Shears, it is because that guy you see there
was paid to portray Vivien Stanshall while the real Vivian was out
portraying Paul McCartney.
Sir Paul decided to retire
the Vivien character in 1995, when it all became too much, or so the
story goes.
____________________
So how could some "Paul is Dead"
conspiracy buffs believe that the Vivien Stanshall story is somehow a
lie?
They believe Stanshall was a theatrical
construction, and the work of a guy named William Shepherd.
What Troubles Vivien?
As detailed in the video above, Vivien Stanshall's Bonzo band did a
couple low-budget tours of the United States. The first was in 1967, and
the second a year later, in 1968. Between those dates, a change came
over Stanshall. He showed signs of having lost his nerve and confidence,
and he began drinking heavily. He shaved his head and seemed to
physically change.
The fun had gone out of the Bonzo band for everyone involved, and
especially for Vivien, who had always seemed most comfortable on stage
when he was behind a mask, portraying something other than himself. On
his own, he was insecure, almost neutralized with doubt about who he was
and who he wanted to be.
SPLIT PERSONALITY:
One interesting aspect of this story, or
supposed story, is that it involves key figures who experienced
trauma in their formative years. Both Paul McCartney and John Lennon
lost their mother's while they were around the age of puberty.
Lennon had been abandoned by his father. As shall be discussed
below, the person who allegedly took Paul McCartney's place is said
to be an orphan, or a bastard child. This is interesting in that an
aspect of the research done under the aegis of the MK-ULTRA program
was to study ways that childhood traumas could be leveraged to split
the personalities of subjects, and then rebuild them in governable
ways.
The Bonzo band played a final show in 1968 and called it quits.
Hooked on booze and valium, Stanshall formed bands that tried to
duplicate the Bonzo madness, but he told associates that he was not
really present in his mind throughout that next 10 years. In the
wonderful video
above there is a reference to a reunion with
Frank Zappa, which adds another interesting wrinkle to this
story, which is discussed below.
In the late '70s, Stanshall went solo, recording an album with
Stevie Winwood of Traffic fame, but he
became more reclusive over time. He acted as Master of Ceremonies on
Mike Oldfield's album Tubular Bells.
He developed a show titled Sir Henry at Rawlinson End that he
turned into a radio series, an audio recording, a book, and a film. He developed a
theatrical musical, "Stinkfoot",
that was funny and quite well received, but then he suddenly walked away
from a second run of that play and retired to his London flat. There he
reportedly killed himself by accidentally starting a fire through his
careless handling of cigarettes.
Who Was (or is) Billy Shears?
Billy Shears, as all Beatle buffs know, was a
character introduced on the Sgt. Pepper's Lonely Hearts Club
album. It was by way of introduction to the song "A Little Help From My
Friends", which featured a vocal by Ringo Starr.
What's the mystery, right? Ringo has another song in which he refers to
himself as Billy Shears.
For some who believe in the "Paul Is Dead" story, Billy Shears refers
to William (Billy) Shepherd. They
believe that William Shepherd, who was once selected by Beatles manager
Brian Epstein as a winner in a Paul
McCartney look-alike contest, and afterwards worked as a Beatle double,
was the musician behind the character publicly known as
Vivien Stanshall. To them, Stanshall was a character that Shepherd created and
continued to perform as until 1995, when he decided to retire the
character by having him killed off, complete with a book and a Wiki that
suggests that Stanshall was a real person.
To them, William Shepherd is an enormously talented
multi-instrumentalist - known as "the man of a thousand voices" - who
manager Epstein and Beatles Producer George
Martin chose to replace Paul McCartney immediately upon
McCartney's death in 1966 - if not before.
William Shepherd
Billy
Shepherd was, or is, a musician who has been on the music
scene in the U.K. for at least as long as The Beatles. He is said to be
a descendant of Scottish legend William Wallace (the character Mel
Gibson played in the film "Braveheart"). A multi-instrumentalist,
Shepherd is credited as a songwriter on a raft of albums produced during
the British Invasion period for American audiences who were nuts about
the Mersey Beat. He was the key figure in albums released under the
names The Mersey Beats, The Liverpool Beats,
and Billy Pepper and the Pepperpots.
Those albums featured faithful covers of Beatles hits, along with
Shepherd originals.
Beyond producing exploitive Beatles sound-alike
LPs, Shepherd also had a series of bands with
Denny Laine, the guitarist-singer who was a founder of
The Moody Blues and co-founder of the McCartney band
Wings.*
Shepherd and Laine also played together in a band
called The Diplomats, in which
Shepherd went by the name Phil Ackrill.
And, the story further goes that Billy Shepherd was also the cabaret
performer Vivien Stanshall.
Beyond being a Paul McCartney double, and playing
in all those bands, Shepherd wrote articles for the Mersey Beat
music magazine, which was devoted almost entirely to The Beatles. He
analyzed them inside and out, even noting in one article that it was
time for The Beatles to go through a needed change.
*This is edited from an earlier version
incorrectly suggesting that Paul McCartney wrote the song "Go Now",
which was a hit for the Moodys. That song was written by Larry Banks and
Milton Bennett.
MACCA
CORP
This
book at right is largely responsible for the rebirth of the Paul Is Dead
story. Privately published by Peppers Press in 2009, it purports to be
the inside story of the Paul McCartney replacement, Billy Shepherd.
It is a work of
"historical fiction", supposedly categorized as fiction to avoid
conflict with the confidentiality and non-disclosure agreements Shepherd
has with whatever organization has orchestrated and managed the
McCartney story.
Thomas E. Uharriet is
identified as the guy who "encoded" this book, highlighting words
throughout its 666 pages to summarize a tale.
The tale is that
high-ranking Freemasons and the Tavistock Institute were behind the
entire Beatles story. The book further suggests that occult forces have
been a big part of The Beatle formula, including the orchestrated
replacement of Paul McCartney.
MACCA CORP. is an expired
Utah corporation, with a Corporation-Domestic-Profit Company Type.
Kenneth
Anger and Horus
Still
around today, avant-garde filmmaker Kenneth Anger
had an extraordinary influence on pop culture in the late 1960s, though
he had been producing fringe art since the late 1930s. A protegé of
Aleister Crowley and a devotee of Crowley's
Thelema religion, the openly gay Anger made homoerotic
cinematic art that influenced young filmmakers David Lynch, Martin Scorcese, and John
Waters. They emulated Anger's surreal and courageous visions,
mostly communicated through short, erotic films, though his prodigious
productions also included his tacky Hollywood Babylon gossip books.
Anger made a couple films,
Invocation
of My Demon Brother and Lucifer Rising that featured '60s
stars Mick Jagger, Keith Richards, and Marianne Faithful, as well as
Manson-family murderer Bobby Beausoleil. They were about the coming Aeon
of Horus, which in the Thelema world promised a transition from an age
of a single authoritarian god to an age of self-realization and
self-actualization.
To Christians, Anger's future vision was
nothing less than Satanic.
Beyond the Rolling Stones and Led Zeppelin's
Jimmy Page (who owns a large collection of Aleister Crowley
memorabilia, as well as Crowley's former residence on the shore of Loch
Ness), The Beatles also fell under Anger and Crowley's influence. Their
images are on the Sargent Peppers cover. In fact, the video on the right
suggests that Aleister Crowley was Sargent Pepper! The notion that they were tools used to usher in the
Aeon of Horus is
central to the PID story.
This video above is not offered as an endorsement
but rather an example of the way Kenneth Anger and Aleister Crowley are
viewed in some quarters.
Freemasonry and Lucifer
According
to The Memoirs of Billy Shears,
Freemasonry is the glue that holds the whole McCartney replacement saga
together.
The story goes like this:
1. Paul McCartney is killed, either in a car crash or
a murder.
2. William Shepherd's uncle, a high-ranking
Freemason, contacts George Martin, a lower ranking Freemason, and orders
that there be an immediate replacement, his nephew Billy. Some have
speculated that this was the "Uncle Albert" referenced later during
Billy Shepherd's Wings era.
3. Billy Shepherd is a high-ranking Freemason
himself, who worked behind the scenes to help The Beatles achieve the
success that they had up to that time, and his qualifications as a
musician had earned him the opportunity to assume the role of Paul
McCartney.
4. By the time George Martin contacted Brian Epstein
to tell him Billy Shepherd was to replace Paul, someone had already
gotten to Epstein with the news and Epstein was dolling out cash to a
reporter to keep the story under wraps.
For those who believe this story, the account is
based on an understanding of a Freemasonry hierarchy depicted in the
following graphic.
The idea is that Freemasonry is a control
mechanism used by the non-human Lucifer to manage humans and human
affairs. They believe the organization initiates regular people into its
lodges, and elevates them to the status of 3rd Degree Master Mason, to
create an impression that the secret society is a benign civic
fraternity, which it most certainly is. Freemasons do an extraordinary
amount of civic work, like raising funds for hospitals.
Rising up through the rituals of the Scottish
Rite, a Freemason who achieves the 32nd degree comes into possession of
"the Royal Secret".
What is the Royal Secret? Does the graphic suggest
anything?
One who has achieved the 32nd degree vows himself
to be a “True Soldier” who "seeks truth and knowledge, demands freedom
of voice, vote, and opinion for all people, combats spiritual tyranny
with reason and truth, encourages men to be self-reliant and
independent, and performs zealously his duties to God, his country, his
family, his brethren, and himself." That last part was quoted from the
Supreme Council of the Scottish Rite Masonry, US Southern Jurisdiction.
None of that sounds particularly evil, but there
is a thought among some that Freemasonry reveals its true nature the higher an
initiate moves up through the degrees. There are 20 degrees at the top,
according to this account, that are largely unknown to human beings, so
who are the Freemasons who have achieved those secret degrees?
Are they all accountable to Lucifer, as Billy
Shepherd says in The Memoirs of Billy Shears?
And who, exactly, is Lucifer?
Who is Lucifer?
The
answer to that question has changed over time.
As with everything that
eventually takes on its own meaning in the context of a religion, the
word Lucifer initially referenced an astronomical phenomenon. People
noticed that the planet Venus would move in the sky in a pattern that
led it to be thought of as the "morning star".
Lucifer was a Latin name for
the planet Venus, which translates to "morning star" or "shining one",
rather than as a proper name, "Lucifer" (Wikipedia).
Christians think of Lucifer
as the devil, based on the Hebrew word הֵילֵל in Isaiah (Isaiah 14:12)
given in the King James Version of the Bible. That interpretation has
always been subject to question because, as depicted in the story of
Adam and Eve, the temptation the serpent devil brought to the Garden of
Eden was knowledge and intellectual curiosity. These are evil impulses?
In an environment in which
the Catholic Church, and eventually other denominations, were doing
their best to discourage any questioning of church authority, Lucifer
certainly must have represented evil to them.
In more modern conspiracy
theory, that "all seeing eye" at the top of the pyramid in the graphic
above is a Reptilian overlord, one of the Annunaki who created our
hybrid human race and has ruled Earth for the past 450,000 years.
Or, possibly related and
jumping back to Venus for a moment, there are those who believe our
sister planet Venus is populated with an advanced race of humanoids. Is
it an overlord from Venus who eyes us from the top of the pyramid?
I don't suppose that is "the
Royal Secret" of Freemasonry, is it? In The Memoirs of Billy Shears,
Lucifer's rule over the planet is part of the big reveal.
The Aquarian Conspiracy
The Aquarian Conspiracy is a concept put
forward by a man named John Coleman.
It is his notion that there is an
Illuminati that has a totalitarian agenda to take control of education
in America for the purpose of destroying it through rock music and
drugs, rebellion against the status quo, and the destruction of the
family unit.
Coleman is essentially at war with
Marxism, as he believes that Tavistock Institute and military
intelligence agencies work hand-in-hand to achieve their Marxist
purposes.
A key aspect of that has been
the creation of
cultural icons, including The Beatles and The Rolling Stones, to create
societal disorder and cultural disassociation.
Brian Epstein and George
Martin
Who Were They?
Whatever
happened with The Beatles and Paul McCartney, these two were at the root
of it all: Beatles manager Brian Epstein
(left) and producer George Martin.
The Beatles had been knocking on the
doors of record labels since 1960 and getting nowhere until they
attracted the attention of Epstein. Here is how Wikipedia describes him:
"Epstein was born into a family of
successful retailers in Liverpool, who put him in charge of their music
shop. Here he displayed a remarkable gift for talent-spotting, and got a
strong intuition about the potential of an unknown 4-man group, The
Beatles, at a lunchtime concert at Liverpool’s Cavern Club in 1961.
Although he had no experience of artist management, Epstein put them
under contract and insisted that they abandon their scruff-image in
favour of a new clean-cut style, with identical suits and haircuts. He
then persuaded George Martin of the prestigious EMI group to produce
their records."
So how is it that Epstein had this
connection with George Martin?
This is how Wikipedia introduces Martin:
"Sir George Henry Martin, CBE (3 January
1926 – 8 March 2016) was an English record producer, arranger, composer,
conductor, audio engineer, and musician. He was referred to as the
"Fifth Beatle" (by Paul McCartney and various commentators) in reference
to his extensive involvement on each of the Beatles' original
albums...Martin produced comedy and novelty records in the early 1950s,
working with Peter Sellers, Spike Milligan, and Bernard Cribbins, among
others... In recognition of his services to the music industry and
popular culture, he was made a Knight Bachelor in 1996."
Conspiracy-minded people seem to tie all
conspiracies back to Freemasonry, and so it is that some claim that
Epstein and Martin were high-ranking Freemasons. There is no obvious
proof available, no public record of them or any of the The Beatles
being involved in that secret society. Then again, would you know if
someone was a member of a secret society? Actually, probably yes in the
case of the freemasons, who often wear Masonic rings and display the
Masonic symbol.
Something linked these two refined elites
and led them to journey down into the Cavern Club to see these young
tuffs, The Beatles, play a music that was not native to the
sensitivities of either man. Was it just a day in the life of an
entrepreneur and a record producer, searching out new talent?
One might chalk that Cavern visit, that
resulted in the signing of the band, up to business as usual, except
that The Beatles were the first band Epstein had managed. Was his access
to producer Martin just the kind of connections that wealthy people
make, as they maneuver through their elite society? Probably. On the
other hand, Epstein was Liverpool and Martin was London, so when were
they crossing paths?
Why did The Beatles suddenly seem like a
good bet to them, when the band had been passed over by so many others?
Rory Storm and the Hurricanes (great band name) initially had a bigger
following. Why weren't they Epstein's chosen ones?
Whatever their connection, Epstein and
Martin put The Beatles on a media ride unlike any band had ever received
up to that time. Epstein purchased a large volume of records to put
their first release, "Please, Please Me", on the record charts and
create a sense of momentum around the group. Eventually, girls would be
hired to scream at their shows to incite that behavior in other teenaged
girls.
Money and connections launched The
Beatles. The vast majority of music lovers would likely tell you it was
one of the nicest things that has happened in the modern world.
A few others see a sinister hand at work,
and the science of social engineering. To them, the success of The
Beatles all points to the behind-the-scenes machinations of the
Tavistock Institute.
______________________
What is the Tavistock Institute?
The
Wikipedia page answering that question starts out innocently enough:
"The Tavistock Institute of Human Relations or TIHR is a British
not-for-profit organisation which applies social science to contemporary
issues and problems."
An extension
of the psychoanalytic theories of Sigmund Freud, Tavistock Institute
grew out of Tavistock Clinic, which was founded in 1920. Freud lived
until 1939, promoting his techniques showing that people could be cured
of mental illness by making conscious their unconscious thoughts and
motivations, thus allowing them to gain "insight" into themselves.
Through psychoanalysis therapy, Freud sought to release his patients'
repressed emotions and experiences, and to make their unconscious
conscious. He seemed to have recognized keys, or triggers that could be
used to affect a person's unconscious thoughts.
During World
War II, Tavistock Clinic got a golden opportunity to further study
unconscious thoughts in patients suffering from severe trauma disorders,
allowing their researchers to gain extraordinary insights into human
psychology and behavior modification. And they also became an arm of
the military, working with the Royal Army Medical Corps and the British
Army to create War Office Selection Boards (WOSBs) and Civil
Resettlement Units (CRUs).
They also did research into psychological warfare.
Tavistock
Clinic became Tavistock Institute in 1947, founded with the aim of
researching improvements in Britain's National Health Service. With
objectives too expansive for funding under the NHS budget, TIHR got
startup funding from the
Rockefeller Foundation. The Rockefellers spent hugely on psychiatric
funding programs in the 1930s and beyond, and TIHR benefited from their
largesse.
TIHR turned
their programmatic development of the NHS into a consultancy with
deep-pocket clients in major manufacturing companies, including Unilever, the Ahmedabad Manufacturing and Calico Printing Co.,
Shell, Bayer, and Glacier Metals.
They developed
two research arms: The Human Resources Centre (HRC)
and the Centre for Applied Social Research (CASR), established in the
1950s, and the Institute of Operational Research (IOR) was established
in 1963 in conjunction with the British Operational Research Society.
TIHR has continued to morph over the years, with the development of The
Centre for Organisational and Operational Research (COOR), the Self Help
Alliance project, and the Evaluation Development Review Unit (EDRU).
Tavistock's
research has tentacles that reach into Stanford University, throughout
the world's political think tanks, and throughout intelligence
organizations.
TIHR is an elite force in
behavior modification technologies.
What is Blackburn?
The
question of when somebody got control of The Beatles is answered for
some by a group called Blackburn, which is part of the British
Intelligence MI-5 organization. They supposedly took over The Beatles in
1962, sponsored their development in Germany, and then were behind the
media campaign that launched the band into the spotlight in 1963.
What is EMI?
The
corporation that signed The Beatles was Electric and Musical Industries
(EMI), a British-owned multi-national corporation engaged in music
publishing and recording, and an electronics-device-and-systems
manufacturing company. They came into existence in 1931 and owned Parlophone and Capitol Records, both Beatle labels. They were sold in
2011 to Sony, and are said to have long ties to British Military and
Intelligence.
Sgt.
Peppers
A Funeral and the Birth of the
Psychedelic Era
In retrospect, it seems so obvious. The 1967
album Sgt. Pepper's Lonely Hearts Club Band, particularly as
expressed through its cover art, was a funeral and a reincarnation
event. It was loaded with occult imagery and it ushered in the
Psychedelic Era with all of its attendant drug use, particularly LSD.
The Fab Four are shown in their wax mannequin forms, looking down at
a grave site, sad and forlorn. Front and center is a new incarnation of
the band, not "The Beatles" but simply "Beatles", their evolution
depicted in the form of orchestra instruments, which were not a part of
the old sound, but would be a big part of the new.
Gone were our lads from Liverpool, ironically replaced by a second
generation Beatles who turned a celebration of their childhood
experiences in their native port town into a mind altering experience
that invited the listener into a world where nothing is real. John
Lennon had opened a portal to a new musical consciousness with "Tomorrow
Never Knows" from Revolver - back-masked monks chanting from
mountain tops - and then with "Strawberry Fields Forever" had invited
the world through the looking glass. Paul McCartney had leveraged
Lennon's device of recalling simple, more innocent times with "Penny
Lane", and he died with material left unrecorded, like "When I'm
Sixty-Four", which The Beatles had played since their Hamburg days. It
fit right in with the inviting narrative of the Sgt. Peppers album.
Whether or not he was the real Paul McCartney,
Sgt. Peppers was
McCartney's album in all aspects of artistic direction, from the album
concept (it was perhaps the first "concept album") to the art direction
of the cover.
It could be said that with Peppers The Beatles became even more
accessible than they had been in their Fab Four heyday. Where once they
had specialized in love songs sung to teenaged girls, they won a new
legion of older fans with songs that were emotionally honest, whimsical,
fantastically imaginative, and sentimental. Those traits had existed in
Lennon's songs all along, but with Sgt. Peppers those elements were
elevated to the level of art. That was McCartney's doing, whoever he
was.
What About that Cover?
According to Beatles lore, the cover was the work of British pop
artist Peter Blake and his
then-wife, Jann Haworth. They were
working on an idea presented by Paul McCartney, but stories about how
that album, with all of its complex imagery came together, sound
apocryphal. The story that Paul is Dead conspiracy people tell is that
William Shepherd dictated every aspect of that cover, which is
reportedly rich with Masonic symbols and geometries that are designed
not only to tell the story of The Beatles' evolution, but also to unlock
the powers of a range of occult symbols.
There are eleven known Freemasons on the cover: Aleister Crowley, H.
G. Wells, Karl Marx, W. C. Fields, Sir Robert Peel, Aldous Huxley, Stan
Laurel, Oliver Hardy, Tom Mix, Oscar Wilde, and T. E. Lawrence. Wells
and Marx were known to be 33rd degree Freemasons, and supposedly if you
hold a compass over the cover you find Wells and Marx separated by 33 degrees.
One of the images in the funeral crowd is of a Legionnaire from The
Royal Antediluvian Order of Buffaloes (RAOB), a fraternal and Masonic
society in the UK in which John Lennon’s uncle Charlie is said to have
been a member.
The
hardest thing for anyone to swallow about this whole story - a
knee-jerk reaction in some - is a sense that John Lennon would have never gone along
with something like this. There is a popular perception, at least among
Baby Boomers, that Lennon was a truth teller and honest to a fault, a
tough guy not inclined to suffer fools gladly, let alone frauds.
That may just be popular
myth. Young people tend to see Lennon as a hypocrite who was violent and
abusive to women, even as old people think of him as an icon of rebel
divinity. But was he? Many books about The Beatles have described Lennon
as the driving force in the band's success, because he had started the
band, over time replacing its original members with McCartney, Harrison,
and Starr. He is often depicted as a desperate young man, both parents
dead or gone from his life, who would have done anything for success in
the music industry, and to achieve fame.
By 1966, exhausted from
The Beatles success, Lennon is said to have been losing interest. He
went to France for a role in the film "How I Won the War", and it was
during this time that the Paul we all knew disappeared and a new Paul
was put in his place.
The story is told that
Lennon wouldn't accept the news of McCartney's death, and when just days
after the revelation he was confronted with William Shepherd, who was
demanding control of the band he had created, Lennon was furious. He is
said to have stayed drunk for days, but to have finally given in,
committing himself to the ruse. Why would he have given in to it? Was he
afraid of losing his career, or worse?
Supposedly the Shepherd
replacement was to be a temporary thing, and The Beatles organization
was shocked that no one seemed to notice the change. Certainly part of
that was because Shepherd was keeping out of sight, supposedly in Africa
having reconstructive surgery to more closely approximate the look of
the real Paul McCartney. And part of it was because all The Beatles were
changing their looks. Was it part of the deception to diminish the
impact of the changes people might have noticed in Paul?
We first see Shepherd
performing as Paul McCartney in the historic "Our World" global
satellite presentation (the first such telecast in history), from which
the following footage came (June 25, 1967).
This was clearly Lennon's moment, and the Paul in this video has only
a sideman's role. I would never have looked at this footage and come
away with the impression that the Paul McCartney I was watching was
anyone other than the Paul McCartney of the Fab Four era. On the other
hand, it has the broadcast quality of the time, which wasn't good, and
there are no lingering shots of McCartney's face. We do see that he has
abandoned the Hofner bass so closely associated with Paul and the Fab
Four, opting instead for the Rickenbacker he would use on the "Magical
Mystery Tour".
Was "All You Need Is Love" a Surrender Song?
In many respects, "All You Need Is Love" is a strange song for a rock
band to be singing while at the peak of their powers. It is a song of
surrender, of acceptance of the world as it is. That is an odd bit of
sage insight for a 27 year old songwriter, almost an end-of-life
retrospective piece.
There's nothing you can do that can't be done
Nothing you can sing that can't be sung
Nothing you can say, but you can learn how to play the game
It's easy
Nothing you can make that can't be made
No one you can save that can't be saved
Nothing you can do, but you can learn how to be you in time
It's easy
All you need is love, all you need is love
All you need is love, love, love is all you need
What strikes me about the lyric is that it is the wisdom of
age, the understanding one learns over time. It is an acceptance that
allows one to age, and eventually to die, gracefully. Lennon was
preternatural, in that way, as was the young Paul McCartney, penning
musical insights well beyond what their years of experience would seem
to have qualified them to do. Songs like "Yesterday" and "In My Life"
are extraordinary examples of young composers who were somehow floating
in time, seeing things way into the future, and gathering knowledge
beyond what anyone could logically expect such young dudes to have
attained. "The Long and Winding Road" also has a wistful,
end-of-the-line feel about it, but it feels a little more generic, like
a facsimile of Lennon-McCartney insight. Is that because it is not a
Lennon-McCartney tune, but rather a William Shepherd composition?
Do the Clues Tell the Story?
The answer to the question about John Lennon above is addressed by
the raft of clues that became a standard part of every Beatle release
after the Paul Is Dead story started. On the other hand, they create
more questions than they resolve.
In 2004, McCartney described how all the clues came to exist in an
interview he did with Beatles historian Bruce Spizer. Check out this
article at
http://www.beatle.net/paul-mccartney-admits-beatles-planned-death-hoax/
that depicts the whole Paul Is Dead thing as a hoax suggested by Brian
Epstein as a panic reaction to the new musical direction the band began
taking with the Revolver album. Convinced the public would have
little interest in songs like "Paperback Writer" and "Rain", he is said
to have concocted this marketing rumor that was then executed by Lennon
and the Beatles recording engineers.
That explanation makes sense to me, but imagine that story, told
almost 40 years after the fact, is a smokescreen to cover the true story
and the reason for all the bizarre clues in Beatles material.
Why would they rat themselves out?
It is easy to imagine that John Lennon was haunted by the dishonesty
of the Paul replacement scheme, and that he sought to absolve himself of any
guilt of complicity by being "honest" through the clues he embedded in
his late-Beatles-era songs. It may have seemed to him to give him
culpable deniability.
That seems sketchy on many levels, not the least of which is that
Lennon would have needed engineering assistance to add those back-maskings
into his recordings. It wasn't something he could have done secretly or
surreptitiously, which probably means the whole clues trail was the
clever execution of another plan all its own.
Lennon wasn't, after all, just tucking secret nuggets into tracks, he
was constructing whole narratives around the deception. "Glass Onion",
for instance, off the White Album is comprised of references to earlier
Beatles songs and the entire replacement scenario. He is telling us to
peel off the layers, to "look into the glass onion," but why?
More than alluding to a "Paul is Dead" scenario that no one had yet
caught onto, Lennon was clearly extending a narrative, pushing mystery
out into the future. That makes me think that, after a period of
adjustment, Lennon gave himself to the replacement plan.
Buckminster Fuller: "You've been
used"
I cannot source this story for the life of me, but I have read that
Buckminster Fuller, the Canadian futurist and inventor of the geodesic
dome, once told John Lennon that he and The Beatles had been used as
pawns in a social engineering program. Lennon was known to be in the
company of Fuller and other intellectuals during his years living in New
York City. The story goes that Lennon was furious at being talked to in
that way, and stomped off, but he thought about what Fuller had said to
him and the next day he came back to Fuller and confessed that after
giving it some thought he had come to the conclusion that Fuller was
right.
In his later solo, post-Beatle years, Lennon stopped dropping clues
and started lobbing bombs, most notably with "How Do You Sleep At
Night?" That song was clearly aimed at Paul McCartney (aka William
Shepherd), but one wonders if a little of it wasn't aimed at himself.
All that said, May Pang, Lennon
and Yoko Ono's personal assistant, who lived with Lennon in Los Angeles
and New York City while he and Yoko were separated in the 1970s, wrote a
memoir in which she tells of "hanging out" with "Paul and Linda" all the
time, suggesting that all that talk of animosity between the former
Beatles was all press fabrication.
Was Lennon's public feud with McCartney just an extension of a phony
storyline?
Who
Is Yoko Ono?
Yoko Ono, now 85
years of age, is the daughter of a wealthy Japanese banking family who
are of the Yasuda clan, which is a strain of Samurai warrior.
She showed up on the scene with The
Beatles around the time of Paul McCartney's alleged accident. A denizen
of the international underground art scene - not an important player,
but a connected one - she pursued Lennon, who was married when they met,
and eventually succeeded in ending his marriage to Cynthia Lennon.
Yoko Ono was always viewed as a
divisive influence on The Beatles, if only because she accompanied John
everywhere, including to the recording sessions with the band. This
broke with Beatle protocol which had previously not allowed girlfriends
and wives anywhere near the workspace.
The person who didn't seem to mind was
Paul McCartney, who defends Yoko to this day against charges that "she
broke up The Beatles".
The one thing that is obvious is that
Yoko Ono controlled John Lennon from the moment she entered his life,
which was perplexing to watch because big changes came over him. The
young man who was once the epitome of an alpha male became a milquetoast
under Yoko's spell. He changed physically and his creative output
throughout the 1970s was unfocused, to the minds of many fans, and a
shadow of his work with The Beatles.
John and Yoko married in 1968, but by
the mid-70s they weren't even talking to each other, even while working
out of offices in the same New York City building. Yoko assigned their
assistant May Pang to go live with John in Los Angeles so the two could
be apart, but John kept under surveillance.
May Pang and John Lennon bonded, and
according to Pang he normalized out from under Yoko's influence. That
all changed when, back in New York City, Yoko insisted that John come to
their Dakota apartment to undergo hypnosis to quit smoking. He went and
never returned to May again, eventually dying in the entryway to the
Dakota in 1980, shot dead by a fan, Mark David Chapman, who appeared to
act in a trance state.
Was Yoko brought in, by whoever pulled
the strings behind The Beatles, as a handler for John Lennon,
particularly to control him through the McCartney transition?
Who
Was Linda McCartney?
The
short answer is that she was the daughter of an influential American
family who ran a powerful law firm on the East Coast. Married, with a
daughter and the security of her inheritance, she turned a photography
job with Town & Country magazine into a celebrity assignment with
Rolling Stone, photographing a long list of Rock and Soul
celebrities for the magazine. Those included The Rolling Stones and, in
1966, The Beatles at their final appearance in San Francisco.
She attended the Sgt.
Pepper release party in London in 1967 and got to know Paul, supposedly
nursing him through a depression he was suffering at the pending breakup
of The Beatles.
QUOTABLE BUT TRUE?
There is
a story that people at the Sgt. Peppers release party wondered why
Paul was not with his famous girlfriend Jane Asher, who was at the
party, but rather was with this photographer, Linda Eastman. An
extension of that story has Linda being quoted, talking to Paul, as
saying something like - "I know who you are and who you are not, and
I'm alright with it."
Like Yoko, her arrival on the scene
with The Beatles coincides with the beginning of the "Paul Is Dead"
story. She was about as welcomed by Beatles fans as was Yoko. She was
the post-Jane Asher girlfriend, and not the act people wished had
followed. She and McCartney married, lived on a farm in Scotland, and
had three kids together. Her brother became Paul's attorney.
The youngest of their children - James,
born in 1977, and who has recorded with his dad - looks quite a lot like
the man people say replaced Paul McCartney, Billy Shepherd. Surely Linda
knew who she married, right?
She and her man went on to found the
band Wings, with Billy Shepherd's old friend Denny Laine, who initially
found fame as a singer with The Moody Blues. She died of breast cancer in 1998.
Down
In Monterey
The Monterey Pop Festival
There
have been many Monterey Pop Festivals, but anytime you mention that name
people's thoughts flash immediately to the original, in 1967.
That festival kicked off
the Summer of Love and put the Psychedelic Era on a little stamp that
you could lick and trip on. The festival included a performance by The
Grateful Dead, who was not well known at the time, but they had a sound
man named Owsley Stanley who would go down in history as the all-time
largest individual producer of LSD. Monterey, as a result, was special.
The organizer of the
festival was producer Lou Adler, aided by
Derek Martin, and it was reported in the newspapers at that time
that also playing a key role in organizing the event was Beatle
Paul
McCartney. Is that a head-scratcher? Can you imagine Beatle Paul of the
Fab Four as a concert organizer?
Certainly one can imagine
a concert organizer using Paul McCartney as a tool for drawing
attention to the event, and to engage other acts. It is said that he
steered The Who and Jimi Hendrix to that stage.
The
Magical Mystery Tour?
If the entire
Beatles operation was managed by operatives of British intelligence, was
the 1967 Beatles film a further attempt to normalize the reincarnated
band?
The film used, as its trope, the
British institution of signing on to a bus tour to an unspecified
location, a brief holiday excursion into the unknown. It is the kind of
thing the working class could afford, and in using that device it
reminded UK viewers of their working class roots.
Musically, the band invited us all
along for the ride with the theme song - "The Magical Mystery Tour is
hoping to take you away..." - and then reintroduced the band as
something new through Paul's enigmatic "Hello/Goodbye" - "I don't know
why you're saying goodbye, I'm saying hello..."
Body Count
As
with most conspiracy theories involving murder and deceit, the Paul Is
Dead story has a body count, a list of deaths by unusual circumstances,
and at interesting times:
Kevin
MacDonald - owner of Sibylla's nightclub - died October 15,
1966 in a fall from a 10th story window
Tara Browne
- Heir to Guinness fortune - died December 18, 1966 following a car
crash - supposedly inspired "A Day In the Life"
Brian Epstein
- Beatles manager - died August 27, 1967 of a drug overdose
David Jacobs
- McCartney's personal lawyer - died December 1968 - hanged
Dr. Richard
Asher - Father of former girlfriend Jane Asher and rock star
Peter Asher - died April 25, 1969 - suicide
John Reilly
- cosmetic dentist - died in a car crash
Mal Evans
- Beatles roadie and sometimes musical collaborator - died February
5, 1976 - shot by police
John Lennon
- died December 8, 1980 - shot by assassin
The Rolling Stones
The
Beatles were not the only pop band being used for social engineering
purposes. Their counterparts were The Rolling Stones, another Tavistock
creation according to Paul Is Dead conspiracy theorists.
There is an article at
https://www.wxhc.com/?p=39208
that describes the synchronicity between The Beatles and The Rolling
Stones, who in the 1960s timed their frequent record releases to ensure
that neither negatively affected the other. Lennon and McCartney gave
the Stones their first U.K. hit, with "I Wanna Be Your Man", and Jagger
always credited Lennon for the help he gave the Stones in planning their
first U.S. tour. Far from rivals, they were associates.
For that reason, it seems odd that in Keith Richards'
2010 biography he wrote that he and Paul McCartney became close friends
earlier in the decade. So, after knowing each other for 50 years they
suddenly became friends? Is it possible that Richards had known Paul
McCartney in the early 1960s, but didn't really get to know Billy
Shepherd until fairly recently?
Who
Is Heather Mills?
The
short answer is that she is an ex-Mrs. Paul McCartney, having married
"Sir Paul" in 2002, becoming "Heather, Lady McCartney" befitting the
wife of a royal knight, which is what McCartney is.
The two divorced in 2008
after having a child together.
Mills was apparently the
woman McCartney's children warned against. The two had a tumultuous
relationship that sent them to marriage counseling.
Heather walked away from
the marriage with around $31.7 million plus another $35,000 in annual
child support.
She claims to be in
possession of a secret that revealed would shock the world. More than
that, she claims to be in fear of her life because of the explosive
nature of what she knows.
She has it all in a box
that she has shared with a trusted confidante in case she meets an
untimely end.
Who
Is Nancy Shevell?
The
short answer is that she is Paul McCartney's third wife, having married
the former-Beatle in 2011. She is much younger than McCartney, born in
1959.
Nancy came into the
marriage rich. She is the daughter of a transportation conglomerate
magnate, and she has been a Vice President and board member of the
Metropolitan Transportation Authority (MTA). The MTA operates public
transit throughout downstate New York and they were centrally affected
by the 9-11 World Trade Center events of 2001. They were central to
letting the contracts for reconstruction of the area.
She and McCartney met at
soirees in the Hamptons, where they both own estates. Both got out of
marriages in 2008 and became inseparable.
Not a lot is
publicized about her, other than that she is a wealthy socialite with a
fashion sense, including a penchant for wearing Jackie-O sunglasses.
Unlike Heather Mills, Nancy Shevell seems to be the wife the McCartney
kids feel okay about.
I wonder if she knows who
her husband is?
So Who Is Paul McCartney?
I suspect, at
this point, that Paul McCartney is as much a business identity as an
actual person. Or I can imagine that Sir Paul sees it that way, because
otherwise how could he comfortably carry on the deception?
Then again, consider this. If the "Paul
Is Dead" story is true, the real Paul McCartney was only alive for 26
years. His replacement has been Paul McCartney for more than 50.
The replacement Paul has written as
many Beatles classics as has the real Paul.
One can see where Billy Shepherd, if
that's who Paul McCartney really is, might feel he has as much of a
claim as anyone to the McCartney name. Certainly the Queen of England,
the world's most powerful elite, has honored his service to the crown
with his CH MBE designations.
CH is the Order of the Companions of
Honour, which is an order of the Commonwealth realms. It was founded in
June 1917 by King George V as a reward for outstanding achievements and
is "conferred upon a limited number of persons for whom this special
distinction seems to be the most appropriate form of recognition,
constituting an honour disassociated either from the acceptance of title
or the classification of merit." (Wikipedia)
MBE is the the Most Excellent Order of
the British Empire, and is a British order of chivalry, rewarding
contributions to the arts and sciences, work with charitable and welfare
organisations, and public service outside the civil service. It was
established on 4 June 1917 by King George V and comprises five classes
across both civil and military divisions, the most senior two of which
make the recipient either a knight if male or dame if female. There is
also the related British Empire Medal, whose recipients are affiliated
with, but not members of, the order. (Wikipedia)
Note that in royal circles there is
precedent for honoring someone who isn't really who they are presented
as being. Queen Elizabeth II is descended from the German House of
Saxe-Coburg-Gotha, and the family did not have a surname when her
father, King George V, became King of England, so they took the name
Windsor, from the castle. The Royals are different, often not using
surnames but rather association with Royal houses.
______________________________________
This video below is
extremely useful in considering the question at the top of this section.
We see film footage of The Beatles being their relaxed public selves,
and you get a lot of opportunities to see young Paul McCartney, and then
the older Paul. There do appear to be physical differences, but who
looks at 26 the way they looked at 21? Can age account for what seem
like subtle changes? Or is it possible that Paul doubles were doing
interviews (seems unlikely)? Why does Paul seem like the only Beatle who
goes through physical changes? Lennon, Harrison and Starr all get hairy,
but their physical features don't change - they always look like the
same people. So what's with Paul, whose hair parts differently as The
Beatles morph into Sgt. Peppers' band?
About that Cosmetic
Surgery
Whoever
Paul McCartney is, he must be at least 76 years old, and possibly as old
as 81 as of the time of this writing. And most people would likely say
that he looks great, though they might add that he has obviously had a
lot of "work done", that is, cosmetic surgery. He would have had to have
gone through numerous procedures to look that good at his present age.
Cosmetic surgery is, of
course, fundamental to the "Paul is Dead" story, so that people
generally accept that Sir Paul has obviously been "under the knife" does
nothing to put to rest the notion that he is a construction, a
cosmetically altered replacement. It doesn't prove that he is Billy
Shepherd, but it doesn't help to refute the claim, either.
Has a Crime Been Committed?
Presenting
yourself to be another person, or assuming the identity of another
person, may be a felony resulting in prison time. In the United States,
it tends to be enforced on a state-by-state basis.
Presumably, if Billy Shepherd or
someone else assumed the identify of the Beatle Paul McCartney, he did
not also take over the business and personal accounts of the real Paul.
There must have been lawyers in place protecting the royalty rights of
the McCartney family, and setting the replacement up with his own
royalty stream on the tunes he composed and published. That probably
means there is an audit trail that could determine how the returns are
distributed.*
Paul McCartney did wage a protracted
legal battle to get Lennon & McCartney songwriting credits switched to
McCartney & Lennon with regard to songs he wrote himself. That was a
royalties thing, apparently, but in the end the songwriting credits
remained the same.
But what about the fraud of
misrepresentation? Why would someone have tried to pass a replacement
off as Paul McCartney when that would be such a difficult and high risk
thing to pull off? Why not just introduce a replacement band member,
like other bands do all the time? Why was it so important to keep the
Paul McCartney identity alive?
Clearly all of these questions could be
answered, were there a proper investigation. McCartney is asked the
question all the time, about whether he is the original Paul McCartney,
and he is skillfully evasive, suggesting that he benefits from the
continuance of the rumors and mystery.
But what if the reason for the stealth
replacement has been to cover up a larger crime? What stakes would be so
high that it would convince a person to undergo reconstructive surgery
and give up his entire life to a lie?
Or what if the person we know as Sir
Paul made a deal there is no way out of, like the one Bob Dylan told "60
Minutes" Ed Bradley he had made with the captain of this world and
others we can't see?
And if that is the case, what exactly
does the captain want from these guys?
*The
Memoirs of Billy Shears leaves the impression that the McCartney
family - really just Paul's father, his mother was dead - willingly
turned over everything of Paul's, from his accounts to his dog to his
girlfriend, to Billy Shepherd. The motivation for that would need to
have been extraordinarily compelling, and the reader is left to connect
dots to figure out why Paul's father might have gone along with any of
this. It is certainly not ordinary human behavior.
Conclusion
I don't see how one can ignore the combination of
exhibits, from the DNA and fingerprint records, to the voice and
physical forensic analyses. Moreover, I cannot watch that "Hey Jude"
video and see the Paul McCartney we were introduced to on the Sullivan
show in 1964, and watched in A Hard Days Night and Help.
When I watch interviews of early McCartney, and McCartney in 1967, they
not only look physically different in terms of frame and bearing, but
also personality-wise. Young Paul was pleasantly thoughtful, cautiously
introspective, while the later Paul seems more Type-A, cocky and sure of
himself.
I don't know if "replaced" is the right word, but
I have come to believe that the Paul who sang "Yesterday" is not the
Paul who sang "Hey Jude". That replacement Paul, who is with us today,
wrote great songs that were hugely entertaining, but why exactly he did
it while passing himself off as the real Paul McCartney is beyond my
comprehension.
I doubt the Vivien Stanshall connection, or how that guy who was so
well known to the British public and to the entertainment community of
his time could (or would) have carried on two careers, one portraying a
famous Beatle, the other a vaudevillian. Would people not have commented on the reconstructive
surgery? I think that might be a smokescreen to somehow imagine
that Stanshall himself was a created character, later in two parts, and another presentation
starring Billy Shepherd.
The Billy Shepherd connections, on the other hand, seem really
compelling. People who know Paul McCartney refer to him as "Billy", and
through his Mersey Beat albums he seemed primed and pumped for infusion
into the band.
I think the Masonic connections are a stretch, including the language
around "Lucifer". I find there to be a more compelling argument around
the involvement of Tavistock and British intelligence.
I find compelling the possibility that the replacement Paul McCartney
is, on some level, an intelligence operative. The entertainment industry
has long been a source for agents and spies, enlisting the likes of
Harry Houdini and others who could travel and be welcomed widely.
Intelligence agency funding of popular culture offerings is also old
news. A 2016 article in The Atlantic discussed CIA involvement in
the making of popular films, including Patriot Games, Clear and
Present Danger, The Sum of All Fears, Argo, The Hurt Locker, Zero Dark
Thirty, Syriana, and many others.
(See this article for more.)The television show Alias
is a CIA propaganda piece, as is the HBO hit Homeland. They are
designed to create the narratives that suit their handlers.
So, is Sir Paul an agent in her majesty's secret
service, or is he, as he said on Letterman in 2009, "just a really good
double"? - RAR
SEARCH CCJ CONTENT
Looking for something in the RARWRITER.com
archives? Type the item you wish to find in the custom search
field below, then click on the magnifying glass to see a list of
previously published articles relevant to your query.
There
is plenty to be skeptical about in the "Paul Is Dead" story -
more "Whys?" than will bear the weight of scrutiny. Some might
suspect that is part of the program.
How
could our lads from Liverpool have possibly been co-opted as
agents of Britain's military intelligence operations (MI-5 and
MI-6)? Probably through the application of opportunity, drugs,
and money. It could have happened like this.
STEP 1: Use Blackburn, a division
of MI-6, to select the band in their formative period (1962)
based on their charisma and commercial potential.
STEP 2: Sponsor their development
in the U.K. and Germany and introduce the boys to recreational
drugs, primarily speed and downers. Make the use of drugs an
aspect of their lives.
STEP 3: Sign them to a management
contract with Brian Epstein's NEMS Enterprises.
STEP 4: Refine the look and sound
of the band through personnel changes (Pete Best and Stu
Sutcliffe are out, Ringo is in) and art design.
STEP 5: Sign them to a recording
contract with Electronic Music Instruments (EMI), a company with
close ties to the British defense industry, and provide them
with classical music and comedy album producer George Martin.
STEP 6: Introduce them to European
audiences through media campaigns and regular appearances,
throughout 1963, on British radio and television.
STEP 7: Purchase releases of their
early singles to get them on the record sales charts.
STEP 8: Stage scenes of hysterical
girl fans, including one at Heathrow Airport for the benefit of
American television host Ed Sullivan, who is inspired to bring
them to the U.S. as The British Invasion. Create a frenzy
behavior in young female fans that would be aped by
impressionable others.
STEP 9: Expand the media blitz
globally, and tour the world. Evolve fan magazines to constantly
promote The Beatles through images to support their regular
record releases.
STEP 10: Develop Beatles doubles
for fan diversion and publicity purposes. The chaos surrounding
the boys is frightening to them and everyone around them.
STEP 11: Develop Beatles
sound-alike bands and promote the sound of the Mersey Beat,
further reinforcing the idea that what The Beatles represent is
special. Have Paul McCartney's songs recorded by additional
Mersey Beat artists.
STEP 12: Introduce the band members
to drugs, principally marijuana and LSD, to open their minds to
ideas they would likely not otherwise consider. Introduce them
to occult symbols and practices.
STEP 13: Choose a songwriting
Beatle (Paul) who could be replaced by another musician working
as an agent for the operation. Go to work on his mental
condition, giving him dreams of pending death, and encourage him
to talk openly about it.
STEP 14: Make Paul McCartney's
premonitions of death come true, traumatizing the other Beatles
and leaving them with feelings of vulnerability and uncertainty.
STEP 15: Work through Brian Epstein
to pay off the press and make arrangements to keep McCartney's
death out of the papers.
STEP 16: Have Brian Epstein
introduce McCartney's replacement to the band, and have George
Martin accept the replacement without question. William Shepherd
is chosen because he is a talented multi-instrumentalist, singer
and songwriter who has recorded Beatles covers. And he is pushy
and sure of himself, providing the leadership qualities the
psychically damaged Beatles need at this time.
STEP 17: Put replacement William
Shepherd through a series of reconstructive surgeries to give
him features similar to those of Paul McCartney, and coach him
on behaviors.
STEP 18: Leverage eastern mysticism
to promote the idea, within the band, that the replacement Paul
is an incarnate of the original Paul. Send them on a trip to
India to help place the soul of the deceased Paul into the body
of the new.
STEP 19: Bring Yoko Ono in as a
"handler" for John Lennon, whose mind is already prepared
through extensive use of LSD. Her role is to keep John
distracted while William Shepherd commodores The Beatles'
musical and thematic direction.
STEP 20: Evolve the look of the
band to include the facial hair and looks associated with the
Psychedelic Era of Rock, and to mask the personnel change.
STEP 21: Use sophisticated
messaging in Beatles recordings to manipulate listeners to the
operation's purpose: destroy the family unit, destroy the will
of the public through the encouraged use of recreational drugs,
promote the idea that reality is in the eyes of each of us,
surrender to the void, and place all hope in the power of love.
Before there was
any of that...
Those who suspect that The
Beatles were an occult phenomenon tied, in some way, to
freemasonry, consider this.
Called The Quarrymen at the
time, The Beatles formative years were spent in the basement of
drummer Pete Best's home. There, his mother, using the winnings
from a 33-1 bet at a racetrack (according to The Beatles
Anthology) had opened a cellar club she called the Casbah Coffee
Club.
She imagined her club in the
mode of London's The 2i's Coffee Bar. Opened in 1956, that was
the place noted for the emergence of Skiffle music and young
stars including Tommy Steele and Cliff Richard.
Paul-is-Dead devotees will
note that "33" - a key number in freemasonry - and will likely
suspect that there is the genesis of the early connection
between that secret society and the Fab Four.
Hello Goodbye
Revolver was The Beatles album that signaled that the Fab Four
was morphing into a whole other type of vibe. They began getting
cryptic with their lyrics, making clever allusions and
references, and mining their insights and experience with life
in ways that were not always easy to comprehend. It made reading
Beatles lyrics an exercise similar to reading ancient texts,
supposing that they are encoded with hidden meaning. They
purposely created a wash of images, and all the disorientation
that might engender, and said to listeners that it was okay to
feel dizzy. They used mirrored wordplay, such as in McCartney's
ingenious "Hello Goodbye", which ends with a chant, as if to
conjure spirits:
[Verse 1]
You say yes, I say no
You say stop and I say go go go, oh no
[Chorus]
You say goodbye and I say hello
Hello, hello
I don't know why you say goodbye, I say hello
Hello, hello
I don't know why you say goodbye, I say hello
[Verse 2]
I say high, you say low
You say why and I say I don't know, oh no
[Chorus]
You say goodbye and I say hello
(Hello, goodbye, hello, goodbye) Hello, hello
(Hello, goodbye) I don't know why you say goodbye, I say hello
(Hello, goodbye, hello, goodbye) Hello, hello
(Hello, goodbye) I don't know why you say goodbye, I say hello
(Hello, goodbye)
[Bridge]
Why why why why why why do you say goodbye?
Goodbye, bye bye bye bye
Oh no
[Chorus]
You say goodbye and I say hello
Hello, hello
I don't know why you say goodbye, I say hello
Hello, hello
I don't know why you say goodbye, I say hello
[Verse 3]
You say yes (I say yes)
I say no (But I may mean no)
You say stop (I can stay)
And I say go go go (Till it's time to go)
Oh, oh no
[Chorus]
You say goodbye and I say hello
Hello, hello
I don't know why you say goodbye, I say hello
Hello, hello
I don't know why you say goodbye, I say hello
Hello, hello
I don't know why you say goodbye, I say hello, oh, oh
Hello
[Outro]
Hela, heba helloa
Hela, heba helloa, cha cha cha
Hela, heba helloa, woo!
Hela, heba helloa, hela!
Hela, heba helloa, cha cha cha
Hela, heba helloa, woo-hoo!
Hela, heba helloa, cha cha cha
Hela, heba helloa, cha cha cha
_______________
Who
Was Derek
Taylor?
Beatles publicist Derek
Taylor, who
by all accounts was a beloved figure in The Beatles saga, was
only with the organization for a brief time in 1964, but during
that time was instrumental in creating the media buzz around the
band.
Taylor left
The Beatles for America, where he worked as your classic
promotions man, helping to pull together the legendary 1967
Montreal Pop Festival. Producer Lou Adler was a major driver of
that event, reported in news articles at the time to be
supported by Paul McCartney, who steered The Who and Jimi
Hendrix to the event.
In 1968,
Taylor reportedly got a call from George Harrison asking him to
come back to The Beatles as press officer for the newly-formed
Apple Corps.
Taylor's
first big rollout was the release of the single "Hey Jude",
which he put in gift boxes, along with three other Apple
singles, that he then had delivered to Queen Elizabeth II, the
Queen Mother, and the Prime Minister.
"Hey Jude"
was a seminal event in Beatles history, because the video that
was released, which consisted largely of close-ups of the
singing Paul McCartney, would became one of the most heavily
analyzed videos in music history. It essentially introduced the
green-eyed McCartney.
Acrimony
ensued, not just between the boys in the band but especially
between the mild-mannered and gentlemanly Taylor and Paul
McCartney.
"During this period, Taylor frequently clashed with
Paul McCartney, about whom he later wrote: 'I don't think I ever
hated anyone as much as I hated Paul in the summer of 1968.'" (Wikipedia)
Taylor died on September 8, 1997,
while working on The Beatles "Anthology".
Casbah
Coffee Club
Was Mona Best's basement
venue an incubator for Tavistock cultural engineering projects?
To
people who accept the Paul-is-Dead conspiracy, there doesn't
seem to be a great need to provide evidence to support their
general acceptance of The Beatles being a tool of "the
Illuminati". The idea is a central theme from The Memoirs of
Billy Shears, where William Campbell makes the claim.
To PID people, the
Illuminati is a very real governing body that manipulates events
globally to manage the world toward a New World Order. They seem
certain that Tavistock Institute created the master plan for the
elevation of a number of teen icons to be used for cultural
engineering. They believe freemason and British government
operatives executed the plan.
The question some
might ask would be, when would these young punks from Liverpool
and the edge of British society come to rub shoulders with
elites? These are supposedly high-ranking freemasons with whom
the Fab Four entered into a Luciferian pact, according to the
most recent Shears book.
NOTE:There was a red-cover version published
in 2009, and nine years later a blue-cover "Nine after
Nine-0-Nine" edition. Blue is a color fundamental to
freemasonry, possibly related to the Druidic belief that
blue represented truth. Red lodge freemasonry is an
extension focused on the rebuilding of Solomon's Temple,
symbolic of rebuilding life. Some conspiracy buffs see The
Beatles red and blue collections to be a reflection of this
and a clear sign that the band was a Masonic operation.
Some conspiracy
buffs find the name of John Lennon's first outfit,
The Quarrymen, to be an obvious
clue. Freemasons were stone workers. Did Lennon come from a
family of freemasons?
It seems unlikely.
Lennon hardly had a family at all, and his delinquent dandy of a
father hardly seems like a guy who would be invited into an
elite fraternity.
Still, Lennon's band
was known as The Quarrymen when they were first booked to play a
private coffee club that had been opened in the basement of the
home of a well-connected Liverpool family: the Bests.
India-native
Mona Best had been widowed in World
War II and left alone to raise a son, Pete, until she met army
officer and middle-weight boxer Johnny
Best. His family was prominent in Liverpool - sports
celebrities who operated Liverpool Stadium. Mona married Johnny
Best, giving her son a last name, and Johnny continued a
successful career in sports promotions. The family was like
royalty in Liverpool, and all their position and notoriety
eventually landed them in a large Victorian house, with a
cellar.
Inspired by a
popular coffee club in London, The 2is
Coffee Bar, that had spawned teen idols
Tommy Steele and
Cliff Richard, Mona created her own
members-only venue - the Casbah Coffee
Club.
She had three
teenaged musicians - John Lennon, Paul
McCartney, and George Harrison
- paint the place before paying them for an extended residency
for their band.
When her son Pete
expressed an interest in playing music, Mona bought him a drum
set, and he soon became a member of John Lennon's previously
drummer-less group.
The Beatles would
outgrow the Casbah Coffee Club and move on to bigger venues, and
replace Pete Best with
Richard Starkey, but that incubator
in Liverpool would serve as the training ground for other young
bands that would represent the Mersey sound:
Gerry and the Pacemakers and
The Searchers.
Is it possible that
the influential Best family were a part of a larger operation to
shape the world through pop music? Mona's members-only club
certainly had the ring of an exclusive, if not exactly secret,
society. And it had an outsized influence on pop culture
worldwide, in the 1960s, rather like the club it was opened to
emulate, the 2is.
Paul's
Families
There's no place like home.
The
other part of the conspiracy that remains vague, other than in
the minds of the PID crowd, is the behavior of the family
figures in Paul McCartney's life.
McCartney lost his
mother when he was in his early teens, as did John Lennon. His
father seems to have been a more stable influence that was
Lennon's, but there is certainly nothing that would indicate any
connection to freemasonry. Paul's dad was a fireman, reflected
by the band (The Firemen) that McCartney has anonymously
produced.
Paul effectively had
a whole other family from 1964 to 1966, when he was living with
the Asher family. Besides seeming like an odd arrangement - a
famous rock star living in the home of his actress-girlfriend's
family - it put McCartney in direct connection with elites who
were involved in cutting-edge research into the psychology of
traumatized patients.
It seems to be at
some point during this period that McCartney became interested
in the occult.
Paul's girlfriend
Jane Asher was the daughter of
Dr. Richard Asher, whose research
revealed a malady he dubbed "Munchhausen Syndrome" in which the
afflicted feign illness or disease to call attention to
themselves.
Dr. Asher committed
suicide in the family home in the late '60s.
Another of his
children - Peter Asher, of
Peter & Gordon fame - has played a
major role in The Beatles story, and today hosts a radio show on
Sirius XM reinforcing the legend of the band, including his
friend Paul McCartney.
What
is
Apple Corps?
Apple
Corps was established in 1968 as a tax shelter for The Beatles'
revenues, and it was the direct result of the death of Beatles
manager Brian Epstein.
Epstein had been in the process of developing a corporation for
this purpose, but under the umbrella of NEMS Enterprises, his
family's business. When he died unexpectedly in 1967, of an
overdose of sleeping pills, a new plan had to be developed, and
fast. NEMS was being purchased by Robert Stigwood, who The
Beatles detested, and they wanted to shield their earnings from
his Australian self.
Paul
McCartney came up with Apple Corps, described in Wikipedia as a
"multi-armed multimedia corporation".
The
company was born in chaos and with wide-ranging interests. Their
electronics division didn't accomplish much, but tech wizard
Alex Mardas did develop Apple Studios. It was a second home for
artists associated with the Abbey Road facility, including
Vivien Stanshall.
Apple
Films had numerous productions, including the Magical Mystery
Tour, Yellow Submarine, and Let It Be films.
Apple
Publishing dealt primarily with music, but did have a largely
inactive books division.
Apple
Records became the label of Marianne Hopkins, James Taylor,
Billy Preston and many others.
The
Beatles dissolved their partnership in 1975, but kept Apple
Corps alive as an entity owned by Paul McCartney, Ringo Starr,
and the estates of John Lennon and George Harrison.
Complicit in Coverup
When one considers the Paul
McCartney replacement story, there are numerous persons who
would know all about the Paul is Dead scheme. It is likely a
little secret of show business known to many insiders. The
following come to mind:
The families of the other
Beatles
Yoko Ono and her family
Linda Eastman's family,
including her children
Paul McCartney's family
William Shepherd's family
Eric Clapton
The Rolling Stones
Donovan
Eric Idle
Neil Inness
Elton John
Peter Asher
Jane Asher
Heather Mills
These people also know the truth, but they
are dead:
John Lennon
George Harrison
George Martin
Brian Epstein
Linda McCartney
Geoff Emerick
Phil McDonald
Derek Taylor
Dr. Richard Asher
Mal Evans
Neil Aspinall
Billy Preston
Fred LaBour
Fred
made the whole thing up.
He told lawyer
F. Lee Bailey that in 1969, prior
to filming an hour-long television trial to determine the truth
of the "Paul Is Dead" rumor. Bailey reportedly told LaBour,
"Well, we have an hour of television to do. You're going to have
to go along with this."
The program
aired locally in New York City on November 30, 1969, and was
never seen again.
LaBour was a
University of Michigan college student in 1969 who pieced
together a bunch of clues from Beatles albums (67-69 releases)
and wrote a satirical piece with the headline "McCartney Dead;
New Evidence Brought to Light" for his college newspaper.
LaBour's
article was picked up by other Michigan newspapers, which
excited the interests of Beatles fans, who began calling in to
local radio stations to get and give insights on this myth that
was being read as fact.
LaBour went on
to become a Grammy award-winning entertainer in the Country
Western arena. He is a comic musician who, previous to hitting
it big with Riders In the Sky, played bass in legendary
songwriter Dicky Lee's band. Lee has written top-selling pop
tunes since the early '60s, having particular success with songs
celebrating urban legends, such as "Laurie (Strange Things
Happen)". He was the king of the teen tragedy song.
_________________
Sage of Quay
Mike Williams
is a YouTube channel host who has become the "Paul is Dead" guy.
A Beatle fan and a musician, Williams did not initially accept
the Paul is Dead conspiracy. His head seems to have been turned
by a reading of The Memoirs of Billy Shears. He has a
YouTube page that captures evidence convincing him that
"Biological Paul", as he calls the real Paul McCartney,
disappeared from the scene in 1966, and was replaced by William
Shepherd. After The Beatles broke up in 1970, Shepherd continued
on with this career he had been placed into, turning Paul
McCartney into a corporate identity, not a real person but more
like a human business, or an android programmed to perform a
role.
Williams is such an
enthusiastic supporter of Thomas E. Uharriet that I have
wondered if he isn't the marking arm of MACCA CORP.
Williams seems like a
sincere and honest guy, but he has aligned himself with some
really sketchy interests, such as the "Flat Earth" conspiracy.
_____________
People Like Billy
According to The Memoirs of Billy Shears,
it was Billy Shepherd who broke up The Beatles because he just
couldn't make the deception work.
John, George and Ringo didn't like him.
Besides not being comfortable with the secret replacement
scheme, they didn't like Shepherd's pushy attitude. He
reportedly felt that he was a better musician than any of the
three remaining Beatles, and he would infuriate them by
re-recording their parts, replacing their tracks with his own.
All that said, there are numerous clips on
the internet that show well-known people addressing Paul
McCartney, or
discussing him affectionately, and calling him "Bill" or
"Billy". The Sage of Quay has clips of George Harrison's widow
Olivia and comedian Dana Carvey doing this.
One gets the sense that show business people
like and respect William Shepherd, who is responsible for a raft
of great songs. "Biological Paul" was known to the world for
only three years (1963-66), where replacement Paul, "Faul", or
William Shepherd, has been known to the world as Paul McCartney
for more than 50 years (1967 to present).
White Album Poster
The White Album was a double-LP that included
this poster. It has been suggested that this was a Lennon
contribution that surreptitiously laid out the entire Paul
replacement story.
_____
Klaatu
The Beatles' impact on the generation they were a part of and
those that followed is unparalleled. They created a complete
package of entertainment that was more than just music. They
expressed, with incredible consistency, broad themes (let it be,
all you need is love, there's nothing to get hung about), and
they did it with such a rich musical presentation that it
immediately became the gold standard for all of pop music. There
are The Beatles, in a category by themselves, and then everybody
else, and all those everybody else's are shooting to meet their
impossible standard.
In 1976, an album was released by a Canadian trio who borrowed
the name "Klaatu" from the 1951 science fiction class "The Day
the Earth Stood Still".
Klaatu was a Beatles sound-a-like who skillfully wove mystery
into their production, as this brief video describes.
Klaatu is a footnote in pop music history, but an example of how
deeply everything about The Beatles drilled deep into the
consciousness of young musicians around the world.
_____________
Band on the Run?
Are you one of the millions who can not
imagine what the Wings tune "Band On the Run" is about?
Why would a band be on the run? What are they
running from? And what would inspire these lyrics?
[Verse 1]
Stuck inside these four walls
Sent inside forever
Never seeing no one nice again
Like you, mama
You, mama
You
[Segue]
[Verse 2]
If I ever get out of here
Thought of giving it all away
To a registered charity
All I need is a pint a day
If I ever get out of here
If we ever get out of here
[Segue]
[Verse 3]
Well, the rain exploded with a mighty crash
As we fell into the sun
And the first one said to the second one there
"I hope you're having fun"
[Hook]
Band on the run
Band on the run
And the jailer man and Sailor Sam
Were searching everyone
For the band on the run
Band on the run
For the band on the run
Band on the run
[Verse 4]
Well, the undertaker drew a heavy sigh
Seeing no one else had come
And a bell was ringing in the Village Square
For the rabbits on the run
[Hook]
Band on the run
Band on the run
And the jailer man and Sailor Sam
Were searching everyone
For the band on the run
Band on the run
Yeah, the band on the run
Band on the run
Band on the run
Band on the run
[Verse 5]
Well, the night was falling as the desert world
Began to settle down
In the town they're searching for us everywhere
But we never will be found
[Hook]
Band on the run
Band on the run
And the County Judge, who held a grudge
Will search forevermore
For the band on the run
Band on the run
Band on the run
Band on the run
John Lennon on the Change
For those who find the Paul is Dead thing ludicrous, this
edited together interview with John Lennon is useful.
In describing the end of The Beatles, he clearly says it was
a death - that of Brian Epstein. Then, for some reason, Paul
took over the band. One gets that whatever Lennon and McCartney
once shared was gone. You get the sense that McCartney had
changed. I don't get any sense from the very shaken Lennon that
McCartney was replaced by an imposter, but I do get the sense
that he felt the band had been taken over by a monster.