RARWRITER.COM                                )

September 2010 Edition

E-MAIL CONTACT:
Rick@RARWRITER.com 

_____________________________________

RAR TUNE OF THE WEEK:

 

Two More New Tunes This Edition - This week's RAR originals include one for choreographer Sonya Tayea and dancer Courtney Galiano (see story on "Your Time Is Running Out" on Artist News), and one for no good reason at all ("Stupid Things To Do").

___________________

Additional RAR originals may be heard from the RAR MySpace site. Click on the MySpace banner below to go there.

 

 

 

CONTENTS

In this Edition

Featured Artists

Artist Resources

Music Reviews

Book Reviews

Publisher Essays

Cinema

About RARWRITER.com

Archives

 

 

Strange Stories

 

Photo: deiman.nl

SPECIAL SECTIONS

RARadio

Written Arts

Fine Arts

Fashion & Design

Media

Public Policy and Politics

Soundscan Charts

 

 

SPECIAL REPORTS

Artist Dream Project

Artist Management

Blues Series

 

 
CONTRIBUTOR ARTICLES

Doug Strobel's "You Can't Get There From Here" Music Education Series

 

 

THE "LINKS AT RARWRITER"
At Large
Austin
Australia
Boston

Canada
Chicago
Colorado
Europe
Miami/Florid
a
Japan
Los Angeles
Minnesota
Nashville
New Orleans/Louisiana
New York City
Philadelphia
Phoenix
San Diego

San Francisco
Scandanavia
Seattle
United Kingdom

 

________________

   

FEATUREDARTISTS:

Click here to go to the Featured Artist page: 

 

Photos, streaming MP3s and more!!!

ESSAYS Click here

_______________

___________

MUSIC REVIEWS
(click here)
:

RAR reviews LPs from Michael ONeill (Ain't Leavin' Your Love), Sarah Stanley (Tuesday Girl), Hilary York (In The Dark), Tom Corwin and Tim Hockenberry (Mostly Dylan), The Boxmasters (Modbilly), Mad Buffalo (Wilderness), and others. Also read reviews from RARWRITER contributors Doug Strobel and Diana Olson.

 

 

 

BOOK REVIEWS AND MORE (click here): This edition, RAR takes a long look at Philip K. Dick, Edgar Allan Poe, Samuel Clemens and The Iowa Writer's Workshop. Read earlier RAR reviews, including a look back at David Halberstam's The Reckoning, and Alan Greenspan's book "The Age of Turbulence."

______________

 

ARTIST INDEX:

Click here to go to the Index page to find the artists profiled on the Links at RARWRITER.

 

J. Vermeer -  "The Artist In His Studio"

 

"THE LINKS AT RARWRITER" - Links to information on creative communities of the following cities, regions and countries:

At Large

Austin

Australia

Boston

Canada

Chicago

Colorado

Europe

Miami/Florida

Japan

Los Angeles

Minnesota

Nashville

New Orleans/Louisiana

New York City

Philadelphia

Phoenix

San Diego

San Francisco

Scandanavia

Seattle

United Kingdom

 

ARCHIVES: Selected features from past editions.

 

RARADIO: Click here to go to the RARadio page to hear innovative acts from across the spectrum of musical genres.

 

POLITICAL LINKS -

points of view not necessarily endorsed by RARWRITER.com

 

ATLAS SHRUGS

FACTCHECK.ORG

 


 

FEATURED LINKS:

The Gibson guitar folks have a Lifestyle zine section on their website that is well worth checking. Click here.

________________

RARWRITER.com Annual "State of the Union" Report 2008-2009.

Click here for information about RARWRITER.com viewership and the further development of the RARWRITER enterprise.

 

RARWRITER
CONTRIBUTOR PROSPECTUS

RARWRITER.com is exploding with new readers, new artist profiles, and new business opportunities. Would you like to become involved as an editorial contributor? If you are a great writer or photographer with particular knowledge of your creative community, and you are looking for publishing credits, contact us at Rick@RARWRITER.com for a copy of the RARWRITER Contributor Prospectus to learn what involvement can mean for you.-RAR

 

 
 

 

 

 

 

VERSE

I wouldn't try to kid anyone into believing that I am trained in, or even very knowledgeable of, poetry. Aside from a few of the classics, I have tended to find poetry precious and false, too often carried by the dramatic form itself. It is as if there are beats and pauses and resolutions that are framework-independent of accompanying words. Plug in some sentiment and edge and voila! -- you have poetry!

That said, I view lyric writing as a poetic form, and certainly aspire toward poetic ends. Exhibits are included here.

* * * * * *

I have come to regard "The Clues" as my own Dante's Inferno, a descent into the nightmarish confusion of broken heartedness, including eternal pain.

The Clues

©RAR 2008

I was young and not too quick to
Pick up on the clues that you threw
Took me by surprise when
You told me goodbye

It seemed like time stood still
Like I was locked inside a vault of timeless
Pain - My own weight crushed my bone to the
Relief of polished stone

Then a gouging curse engulfed the sky
The birds above began to cry
And lovers clung to reasons why
They shouldn’t cease to give

A dark bird flew across the sun
Somebody pulled a shiny gun
Another cried “He is the one!”
Another mugged the holy bum

I was young and not too fit
The clues were round me thick as brick
I didn’t have the first idea
What to do with the best of it

With all that time to fill
I locked myself inside the halls of dark
Until my eyes sealed over and
I groped in constant night

Then aroused I woke and cut the binds
And called your name and drank your wine
And wrote all day and night with you
In mind like broken hearted do

Then morning came and I arose
And put aside my sullen pose
And walked into the morning sun
And held my ground

All my life you been around
Pain, ugliness is all I’ve found
This life ain’t sweet enough
It lasts too long and it’s way too rough
My love is waiting for you

This life ain’t rich enough
It costs too much and there’s too much bluff
My love is waiting for you

I was young and all alone
And couldn’t get you on the phone
It caused me such alarm
You never seemed to be at home

It seemed like moss grew round my brain
And I behaved a bit insane
I cursed at God and punched the sky
But I could never really cry

I carry you inside me yet
A tortured thing I can’t forget
A bit of me got lost in you
The way that stupid people do

But time has come, time has gone
And took away my holy bond
I can’t believe, I cannot love
I’m still the lonely one

All my life you been around
Pain, ugliness is all I’ve found
This life ain’t sweet enough
It lasts too long, it’s way too rough
My love is waiting for you

This life ain’t rich enough
It costs too much - there’s too much bluff
My love is waiting for you

 

I Can Hardly Believe How Hard It Was to Be Me Before the Internet 

©RAR 2007

 

I can hardly believe

how hard it was 

to be me

Before

the Internet

 

For those who would like information, click here...

 

Riding On A Zephyr 

©RAR 2005

 

Riding On A Zephyr is a song born of a childhood memory. There used to be a passenger train that ran between Chicago and Denver called the Denver Zephyr. (Zephyr was the Greek and Roman God of the refreshing west wind.) There it became the California Zephyr for the leg from Denver to Oakland. For reasons now lost to me, my mother and I rode the Denver Zephyr when I was a kid in the late 1950s and in memory it was one of those foundation events. Though the line had operated since 1931, the Zephyrs seemed like real Cadillacs in their day, symbols of American technological wonder. To me, looking back, they represented the confident plunge into the future that was the American experience of the 1950s. History, however, didn't stop at that moment of serene naiveté. As a nation, we were in the grip of historic events. I could see it in my own family, as my father in his career was swept by a wave of technology that carried him from the age of television to the race for outer space. Along the way something went terribly wrong -- for all of us. That is what Riding On A Zephyr is about.

 

It started on a military base

Right outside of East St. Louis

Daddy was a radio man

It was nineteen fifty-two

 

Momma was a small town girl

By way of Oakland, California

All they had in common the mistake

Who is singing now to you

 

Everyone around us there

Was black as night, dark as murder

Everyone was poor

The men all dressed in uniform

 

Living there among them

We didn't really fit in but we tried to be friendly

That's how it was told to me

When I was old enough to hear the tale

 

After the Korean War

Daddy decided to leave the service

We headed for Nebraska

And the cold Nebraska plains

 

Riding on the Zephyr

Riding on the hope of a nation

Trying to get better

Than we had ever been before

 

Riding in to modern times

Tuning in to The World of Tomorrow

The new frontier

And revolution on the way

 

Midway through the time of Eisenhower

Daddy was part of a television age

Cathode rays, vacuum tubes and solder

Fixing a beam on the atomic rage

 

We were living on a tree-lined street

In Lincoln across from Tom, Dick and Harry

You could say these were innocent times

Everybody seemed to same

 

I think that we were happy then

But the best to come was just around the corner

Wind was sweeping under our wings

And there was magic everywhere

 

Riding on the Zephyr

Riding on the hope of a nation

Trying to get better

Than we had ever been before

 

Riding in to modern times

Tuning in to The World of Tomorrow

The new frontier

And revolution on the way

 

Soon enough a change was made

We picked up and moved to Denver, Colorado

Daddy got a job engineering

The mighty race for space

 

Momma's hair was turning silver

Though she was only twenty-seven

She didn't seem to mind

She was living in the laser light of day

 

Then in nineteen fifty-eight

There came along a little brother

Everything revolved around

Our nuclear family

 

Don't adjust your TV set

The vertical hold or the horizontal

We control the whole thing

All you have to do is sit

 

In a new dimension we were

Getting up early to see the launches

Titan, Mercury and Apollo

We were gilded in the flames

 

Sunning like a movie star

In our back yard with all the young mothers

Momma like a debutante

In those gold Colorado days

 

A whole generation asking

What can you do for your country

Then one day in Dallas

The answer came rumbling from the sky

 

The crack in the cosmic egg

Ripped with a sound out of Dealey Plaza

Pieces of the President's brain

Splattered on the ground

 

We saw it as a nation

We saw it on our TV screen

This place we all thought we were headed

Was not quite what it seemed

 

After that things started to get ugly

We went back to war, off to Viet Nam

Things began to feel quite different

In the home of the brave and the Promised Land

 

The world turned and it kept on changing

You could see it in the way people wore their hair

You could hear it in the streets where the protest was raging

You could hear the poet's howls in the liberty bell

 

And so it showed in the New Republic

And so it showed in the New York Times

And so it showed in the neighborhood theater

It was way too late for us to change our minds

 

Martin Luther King on a balcony in Memphis

Bobby Kennedy at the Ambassador Hotel

Mayor Richard Daley on a hot night in Chicago

Richard Nixon on a cold night in hell

 

A small step for man, a giant leap for mankind

One too many slogans, one too many lines

One big blowout up in Woodstock

One too many holes shot in our Altamont minds

 

Riding on the Zephyr

Riding on the hope of a nation

Trying to get better

Than we had ever been before

 

Riding in to modern times

Tuning in to The World of Tomorrow

The new frontier

And revolutions fade away

 

Now I'm old and it seems like a movie

The way a smile disappears from a face

We never got to Canaan, never got to Canterbury

All we pilgrims got was the human race

                                            © RAR 2005

 

©Rick Alan Rice (RAR), August, 2009

 

HOME BIO MUSIC LITERATURE VERSE ESSAY PROJECTS LINKS

YOU ARE ON THE VERSE PAGE