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ABOUT RAR: For those of
you new to this site, "RAR" is Rick Alan Rice, the publisher
of the RARWRITER Publishing Group websites.
Use this link to visit the
RAR music page, which features original music
compositions and other.
Use this link
to visit Rick Alan Rice's publications page, which
features excerpts from novels and other.
RARADIO
(Click here)
"On to the
Next One" by
Jacqueline Van Bierk
"I See You
Tiger" by Via Tania
"Lost the
Plot" by Amoureux"
Bright Eyes,
Black Soul" by The Lovers
Key
"Cool Thing"
by Sassparilla
"These Halls I Dwell"
by Michael Butler
"St. Francis"by
Tom Russell & Gretchen Peters, performance by Gretchen
Peters and Barry Walsh;
"Who Do You
Love?"by Elizabeth Kay;
"Rebirth"by
Caterpillars;
"Monica's
Frock" by
Signel-Z;
"Natural
Disasters" by
Corey Landis;
"1,000
Leather Tassels" by
The Blank Tapes;
"We Are All Stone" and "Those
Machines" by Outer
Minds;
"Another Dream" by MMOSS;
"Susannah" by Woolen
Kits;
Jim Morrison, Elvis Presley,
Michael Jackson and other dead celebrities / news by A
SECRET PARTY;
"I Miss the Day" by My
Secret Island,
"Carriers of Light" by Brendan
James;
"The Last Time" by Model
Stranger;
"Last Call" by Jay;
"Darkness" by Leonard
Cohen;
"Sweetbread" by Simian
Mobile Disco and
"Keep You" fromActress off
the Chronicle movie soundtrack;
"Goodbye to
Love" from October
Dawn;
Trouble in
Mind 2011 label
sampler;
Black Box
Revelation Live
on Minnesota Public Radio;
Apteka "Striking
Violet";
Mikal
Cronin's "Apathy"
and "Get Along";
Dana
deChaby's progressive
rock
_______
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ATWOOD - "A Toiler's Weird Odyssey of Deliverance" -AVAILABLE
NOW FOR KINDLE (INCLUDING KINDLE COMPUTER APPS) FROM
AMAZON.COM. Use
this link.
CCJ Publisher Rick Alan Rice dissects
the building of America in a trilogy of novels
collectively calledATWOOD. Book One explores
the development of the American West through the
lens of public policy, land planning, municipal
development, and governance as it played out in one
of the new counties of Kansas in the latter half of
the 19th Century. The novel focuses on the religious
and cultural traditions that imbued the American
Midwest with a special character that continues to
have a profound effect on American politics to this
day. Book One creates an understanding about
America's cultural foundations that is further
explored in books two and three that further trace
the historical-cultural-spiritual development of one
isolated county on the Great Plains that stands as
an icon in the development of a certain brand of
American character. That's the serious stuff viewed
from high altitude. The story itself gets down and
dirty with the supernatural, which in ATWOOD
- A Toiler's Weird Odyssey of Deliveranceis the
outfall of misfires in human interactions, from the
monumental to the sublime. The
book features the epic poem "The
Toiler" as
well as artwork by New Mexico artist Richard
Padilla.
Elmore Leonard
Meets Larry McMurtry
Western Crime
Novel
I am offering another
novel through Amazon's Kindle Direct Publishing service.
Cooksin is the story of a criminal syndicate that sets its
sights on a ranching/farming community in Weld County, Colorado,
1950. The perpetrators of the criminal enterprise steal farm
equipment, slaughter cattle, and rob the personal property of
individuals whose assets have been inventoried in advance and
distributed through a vast system of illegal commerce.
It is a ripping good yarn, filled
with suspense and intrigue. This was designed intentionally to
pay homage to the type of creative works being produced in 1950,
when the story is set. Richard Padilla
has done his usually brilliant work in capturing the look and feel of
a certain type of crime fiction being produced in that era. The
whole thing has the feel of those black & white films you see on
Turner Movie Classics, and the writing will remind you a little
of Elmore Leonard, whose earliest works were westerns.
Use this link.
EXPLORE THE KINDLE
BOOK LIBRARY
If you have not explored the books
available from Amazon.com's Kindle Publishing
division you would do yourself a favor to do so. You
will find classic literature there, as well as tons
of privately published books of every kind. A lot of
it is awful, like a lot of traditionally published
books are awful, but some are truly classics. You
can get the entire collection of Shakespeare's works
for two bucks.
You do not need to buy a Kindle to
take advantage of this low-cost library. Use
this link to go to an Amazon.com page from which you
can download for free a Kindle App for
your computer, tablet, or phone.
Amazon is the largest,
but far from the only digital publisher. You can
find similar treasure troves atNOOK
Press (the
Barnes & Noble site), Lulu,
and others. |
|
|
|
ARTIST NEWS
|
The Deafening
Broadway Spills Into
NYC's Rock Clubs
This
video features the NYC band The Deafening,
playing live at Webster Studio, and most especially the band's singer
Lena Hall (Celina Carvajal), whose day
job is being a Broadway star. She originated the role of Nicola in Kinky
Boots and won a Tony Award for 2014 revival of Hedwig and the Angry
Inch. Her band The Deafening released an album (Central Booking)
with original songs in 2012. Hall got her start in San Francisco, at
Ruth Asawa San Francisco School of the Arts, where she first studied
dance. Success on Broadway came pretty quickly, as she made her
Broadway debut in 2000 in Cats, taking over the role of Demeter after
first performing in the national tour. She next took over the role of
Ann "Anytime Annie" Reilly in 42nd Street. In 2004 she was in the
original ensemble of Dracula, the Musical and was the understudy
for Kelli O'Hara as Lucy Westenra. In 2006 she was in the original
ensemble of the musical Tarzan, and was also the understudy for
Jennifer Gambatese as Jane Porter. This week The Deafening is on a
double-bill at Mercury Lounge October 5
with another Broadway coupling, Sky Pony,
which is the rock club side of Broadway star Lauren Worsham (nominated
for a Tony for her work in the musical A Gentleman's Guide to Love
and Murder) and Kyle Jarrow,
who for years has been among Off Broadway's most audacious songwriting
playwrights. It may be too late to catch the show at the Mercury
Lounge, but watch The Deafening's
website and that of Sky Pony
for opportunities to catch these high-energy, highly theatrical rock
shows.
Sunshine Underground
It Turns Out Early MTV
Planted Roots
One can hear a lot of bands in the sound of the
Sunshine Underground, and they all date
back to early MTV. You hear the The Police, Talking Heads, New Order,
Petshop Boys, David Bowie, others whose names have slipped from mind,
but somehow still reverberate in our sonic consciousnesses. The
Leeds-based poppers are all over the map with their influences, but
their attitude is so upbeat and their delivery so tight that they are
sort of irresistible. They have three full length albums to their
credit, and they are about to hit the tour trail again, which has been
their road to success.
Visit their
website to learn more.
|
A Single Frame Passing Through the
Light
Jason Sees' Bold Exploration of Mortality
There are just so many ways that
Jason Sees (The Jason Sees Band) new
album, A Single Frame Passing Through the
Light, could have gone all wrong. “This album chronicles my
journey with my wife. From our ‘honeymoon phase’ though her initial
cancer diagnosis, to the last eight weeks of her life, and after she
died,” explains the Seattle-based songwriter.
Imagine that's your pitch to your record label: you
want to produce a musical docudrama featuring one of life's most painful
storylines, the way too early death of a loved one.
As a creative exercise, this is not a path pursued by
many people, so one's models are fairly limited to Erich Segal (Love
Story), Edgar Allan Poe ("The Raven"), and a handful of others. Your
approach in writing can either be philosophical or an exposé
on emotional devastation, because either way the death of a loved one is
going to feel like something personal, happening to you. And in a way it
is, because we humans live on hope and faith that somehow things will
always work out, and the death of a loved one kills a little bit of that
optimistic spirit in everyone it touches.
There is a more than even chance that listeners will
not happily follow the grieving troubadour into any choice he makes
unless he presents some sort of alchemy in music composition and
wordplay matched to some uncanny knack for delivering salve for the
soul.
My take on Sees' effort is that he has done a
remarkable job of walking this tightrope, of being authentic and
insightful while steering the ship away from the rocks of
self-indulgence, and their beckon call.
Sees' greatest strength is probably his voice, which
is soft and gentle and sometimes brings to mind young Paul Simon.
(Unfortunately, from my perspective, he may also sound a little bit like
John Mayer when he's pretending to sound sensitive.) As a writer, Sees
is a dreamy dude who seems to appreciate the sounds beaming in from
outside our universe, for lack of a better way to describe his floating
esoteric expressions. Some of it is quite beautiful, and the spaciness
of the whole affair feels right given the context of the album.
“This whole thing is to honor her life, and I knew
this one had to be done right,” Sees says. “My prior two albums I wrote,
recorded, and mixed myself in my own studio. I’m very proud of those
albums, but If I had done this one like the others it would not have
been even close to good enough to be worthy of Zandy's memory.”
Sees enlisted the help of noted engineer/producer Joe
Reineke of Orbit Audio and, along with the help of his band -
Shaun O'Neill (bass),
Dave Campbell (drums),
Alex Willson (lead guitar), and
Julia Sarewitz (vocals/keyboards) -
the Jason Sees Band set out to make a record that would honor Sees’ wife
Zandy’s memory, but also chronicle themes of struggle, loss, and the
desire for hope at the other end of the tunnel that everyone can relate
to.
“Writing and recording this record was therapy for me,
but it also helped me prove to myself how much Zandy meant to me,” Sees
says. “Everyone endures loss in their life, so I think this album will
resonate with a large number of people. It would be great if this music
helped people who are struggling. It is always therapeutic to see
something positive come out of tragedies.”
This album is well worth checking out, not because it
contains radio hits but because it feels like the work of someone who is
attempting authentic artistic expression. Doing it rather well, too.
- RAR
Daria
Going Beatle
Jazz
singer Daria, who fronts a few of
her own jazz units while also working with Dan
Hicks & The Hot Licks, is doing a Beatles show. Daria is a
great singer, but this "Strawberry Fields" deal she is doing took us a
little by surprise. Obviously adoration of The Beatles remains universal
decades after the band's final performance. They continue to be the only
band that ever really mattered. You can use this link to check out a
little sample of Daria's "Strawberry Fields" cover, which is all
jazzified. Beatlemania is still going strong, even in the most unlikely
of places. |
Hall of Fame Material
Gretchen Peters
Honored for Songwriter Achievements
It is really kind of an awesome
experience, for those of us who happened to know
Gretchen Peters back when she was a kid
winning her first songwriting competition, to follow her through the
years and witness the success she has had. That first songwriting
competition, recognizing her talent, was sponsored by KBCO
radio in Boulder, in 1977, and who could have imagined that this sweet
kid was going to go from young promise to acclaim as one of the top
songwriters of her generation? She will be playing the Grand Ole Opry
stage the night before the Hall of Fame induction ceremony the next day.
Gretchen writes this in her most recent
newsletter - "In a few days I'll be sitting with
my family and a few thousand others at a banquet in Nashville, having
the surreal experience of hearing my songs sung to me by a handful of
renowned performers. In the midst of all the preparation for induction
into the Nashville Songwriters Hall of Fame, I've been busy readying a
new album, Blackbirds, and rehearsing some of the new songs in
preparation for the touring that will begin shortly after its release.
As honored and humbled as I am to be inducted into the NSHoF, I'm glad
there's something new on the horizon to focus on. I'm going to try and
be as present and 'awake' (in the Zen sense) as I can for the induction
ceremony, and savor every second of it. I know how lucky I am, and I
know how special this night is. But the best reward for past work is to
be given the chance to do more."
Gretchen's song "Independence Day" was a
big hit for Martina McBride in 1995, when it was the Country Music
Association's "Song of the Year". Gretchen was nominated for Grammy
awards in 1995 and 1996, and a Golden Globe for "Best Original Song" in
2003. It is pretty impressive stuff.
Gretchen Peters' new album, Blackbird,
will release in February 2015. The new studio album, coproduced with
Doug Lancio (Patty Griffin, John Hiatt) & Barry Walsh, features guest
appearances by Jason Isbell, Jimmy LaFave, Jerry Douglas, Kim Richey,
David Mead, Suzy Bogguss, Matraca Berg and more. A UK tour in March has
been announced; US and European tours are in the works.
NOTE:
Those KBCO competitions in Boulder, Colorado in the late '70s surfaced
some true songwriting talent. Besides Gretchen Peters,
Michael Woody was also a winner of
one of those events. Michael scored a #1 hit with
Desert Rose Band with his tune "He's
Back and I'm Blue" (co-written with another KBCO winner,
Robert Anderson), and a #2 with
Barbara Mandrill and "My Train of
Thought". - RAR
Ami Heinrich and the Truth About
Music Publicity
It’s important to remember that a number
of factors contribute to your teams ability to drive placement including
location, relevance and timing. Just like the seasons, there is a time
and place for a new album release, a tour and an event announcement. For
example, mid-summer album releases tend to fall on deaf ears. Why? Well
most of your best music journalists are out there taking in all of the
live music that is available to them. They are seeing festivals,
attending music conventions and experiencing the power of music
performed live.
Consider the colder seasons for your next release, and you may find a
lot more people available to take the time for a review.
It is also important to note that while
most music blogs and newspapers are looking for new music and artists to
break into the mainstream, the truth is that if they haven’t heard of
you and they do not believe your article will create viral results —
then they may not consider publishing an article about your music, no
matter how much they loved the album. They too are looking for
reputability that will create results for their media source. So be
patient. Your team may have to approach their pitch from many angles
before it sticks. In fact, we tell artists that it can take up-to-four
months before our publicity efforts start to come into fruition. I can
tall you, it’s not from the lack of trying or the lack of pull we have
with the media, it has everything to do with whether or not the media
believes that article will be a success for them.
Ami Heinrich is Principle of Tsunami
Publicity.
Use
this link for more. |
Ugly
Kids Club
Perfect Pop
Confection
The name of the duo is almost enough to
win a person over. Then there is the letter perfect production and songs
that seem tailor-made for those Kids Bop albums so many of today's kids
grew up on. The Nashville-based duo has released a really excellent EP,
Mind Games. There is more on them on the Music page.
Hail, Hail Steve
Berlin
The
Quick & Easy Boys
Turn the Wheel Over to a
Pro and Release a Superlative Album
Have you heard the new album from
Portland's The Quick & Easy Boys. It is their fourth full-length album
release, and most certainly their best. The songs are great, the
delivery powerful, and the focus is tight, which the Boys seem quick to
attribute to the guiding hand of Producer Steve
Berlin (saxophonist for Los Lobos).
“A major factor in this album was the
inclusion of Steve Berlin as producer,” says bassist
Sean Badders. “In the past, the
albums were produced by us and our engineers - and we love how those
came out -but this was the first time we really let an outsider really
shape what was happening, and honestly it made a lot of things way
easier.”
“We gave Steve Berlin forty demo tracks
that ranged from home demos done by Sean and I (some of which made it on
the album), recordings of us practicing/improvising, and songs that we
had previously worked out together,” recalls Russell. “Steve whittled
the list down to his favorite eighteen and we cut a few, and ended up
with fifteen.”
The sound they produced is muscular with
a touch of funk feel, and it comes across with a contemporary urgency.
Jack Hadley Releases His
St. Louis Blues LP
In some
future life, I hope to be as cool as Colorado-based blues man Jack
Hadley. Read more about his new blues LP on the
Music page.
- RAR
|
|
Music
As Sacrament
Bono Doesn't Believe in
"Free Music"
So What Has U2 Given Us?
The last reports I heard were
that only five percent of iPhone users had the free
U2 "Songs of Innocence" album
downloaded onto their phones. The news story was that Apple had done
this in most cases without being asked to, so people who didn't want the
U2 album viewed the download as a virus.
In fact, the app it rode in on was unpopular enough that instructions
for removing the U2 product from an iPhone soon began springing up on
the Internet. It is almost exactly the type of marketing news one would
have nightmares about prior to the release date of a product: a
horror come to pass. What I have heard from "Songs of Innocence"
sounds just like every other song U2 has put out for as long as I can
remember, so perhaps the audience of iPhone users are either not of
their generation, or have just grown tired of their sound. Even a great
band has the capacity to produce boredom if certain magical elements
don't happen to come together to breathe life into their performance,
and Bono doesn't seem that magical these days.
Worse than that is the extent to which he is full of
"himself", referring to music as a sacrament. While touching in
its devotion to his own enterprise, it is a complete misuse and
misapplication of the word "sacrament", which is a Christian
rite, and
as a Christian Bono should know better. He no doubt references the
Eucharist or Holy Communion, whereby the blood and body of Christ is
ritually joined with the blood and body of his devoted followers thereby
elevating their mortal lives and consciousness of holiness. "Songs of
Innocence" must be a bowl of wafers in Bono's bogus analogy. His insight elevates music
while puncturing the supposed sanctity of religious ritual, which is probably not
his intent, though he's a rebel so who knows. He is attempting to create a defense for
something he really shouldn't even have to defend, which is a new
anti-piracy music format being developed by Apple. He says the new
format will emphasize "the visual element of music, including lyrics and
photography, and is aimed at big-screen consumption". Otherwise, it will
be YouTube except that you can't copy it as a digital file to your hard
drive.
From NBC News: "Bono lamented the state of the music
industry, saying it's harder than ever to make money from album sales,
and rejected the popular notion these days that music should be either
free or subscription based. 'I don't believe in free music,' he told
Time. "Music is a sacrament."
This commitment to capitalism is from the same guy who
famously boasted, "My God isn't short of cash", so while Bono's idol is
apparently sitting pretty and probably has the new iPhone, Bono and U2
may need some quid.
Equally unhelpful to the U2 album release is that the
ad campaign for the "Songs of Innocence" iPhone product is
the same tired visual concept that Apple has used for what seems like
ever. (Have you noticed the ubiquity in television commercials these
days of quick cut shots of people running, jumping, jabbing, flashing a
satisfied smile, or otherwise equating the product they are selling with
energy?) It is branding at its most repetitive and tedious, and that in
U2's case it is a bunch of old men who are jumping around and jabbing is just stupid. This probably
doesn't help U2 to seem relevant in today's youth market. It is also a
little creepy how much this U2 song sounds like
Chris Martin and Cold Play, which
when you think about it is creepy enough in its own right. - RAR
|
"What
U Hear"
Music Pirating and the
Technology Squeeze
Does it seem to you that
Internet technologies are now evolved to take from users certain of the
functionalities that have made the World Wide Web so insanely popular in
the first place? The one that hits the low
budget music community the hardest is the elimination, in Microsoft
Windows OS 7 and later, of the "What U Hear" recording option. That
was a staple of earlier operating systems (XP, Vista, etc.) and for
people (like myself) who have digitally-based home recording studios it
was critical to the mixing down of audio tracks. You could record any
number of separate instruments as .WAV files on individual tracks, mix
them to your liking, play the mixed version, and
record the mix you were hearing through your soundcard: your master mix. Once you had
that recording of that final mix, that could be formatted as an MP3 file
for portability purposes (like attaching to email messages).
After court actions more or less killed the large
file-sharing operations, like Napster, that allowed people to share music files in
batch processing operations, the way most music was being pirated was
through the use of the "What U Hear" function. It seems like any piece
of music you might want to hear can be found from some source on the
Internet, so if you could hear it (streaming, for instance) you could
record it to your own hard drive. This meant that any poor kid with
Internet access could have all the same music that rich kids with
Internet access were getting. At the same time, it flooded the world
with a massive supply of in-demand products, offered free or at low cost,
thereby killing any significant profits to be appreciated by the
manufacturers of the music product.
This
development created the sorry state that Bono alludes to in the story
above on
the U2 iPhone album: that nobody is making money selling "records"
anymore. This is why ticket prices for live performances are so high,
and why "artists" rely heavily on the sale of "merchandise". This
includes CD sales, which for the vast majority of the professional and
semi-professional musicians in the world have been savaged by the piracies
of Internet commerce. The irony, of course, is that marginal acts never
made any money on their music in the first place. The Internet, for a
time, promised to be a marketing and sales Nirvana, where little guys
would achieve parody with the big boys, but
more and more the World Wide Web has become the showroom of the same gigantic media
operations that have always controlled the marketplace.
Net neutrality is already going the way of the dinosaur,
and so it is also with aspects of the Internet that initially lit the world afire with open
access to every kind of information. Microsoft has decided to remove
that recording function that allowed you to hold on to a piece of audio
information that some creative person wanted very much for you to hear,
or in the case of the home creator, information that you created and
wished to reproduce.
It appears that from here on out, gaining access to even your own
information is going to cost you. - RAR
Home Studio Workaround
One Way to Manage the Loss of the "What U
Hear" Recording Function
As mentioned above, the "What U Hear" function that
was native to earlier Microsoft OS has been removed (or made next to
impossible to access) from Windows OS 7
and later, which has created problems for musicians with home Digital
Audio Workstations. If you are wealthy and happen to own the entire ProTools package, you likely have some better way to create a master mix
than what "What U Hear" provided in the first place, but for amateurs
such as myself, who use more affordable DAW like Cakewalk Sonar
Producer, Cubase, or other, the "What U Hear" function was
indispensible. Who ever dreamed that Microsoft would remove access to
what is a truly vital and widely used function? It goes against the laws
of natural evolution, though in the S-curve of technological
developments the retraction of some benefit that users once derived from
familiar products has only just begun. The game industry has been an
early adapter of this strategy and now sells what used to be parts of
gaming packages as ancillary products. If you buy Electronic Art's golf
game, for instance, you get a small range of courses on which to play,
and any others you may wish to play will be sold to you, though in
earlier versions of the game all of those courses were available for the
price of the game, no additional purchases necessary. The commercial
tech world is becoming more sophisticated and more rapacious. The plan
is to create a condition of continual obsolescence for every consumer's
computer equipment - operating systems, applications, hardware - to
force you to buy new products that are vital in our technological age.
And in the course of re-versioning the user experience, the technology
companies are stripping out some of the best of what they once had to
offer. A golden age of computing has come and gone, almost before most
of us even realized it once existed!
The only
way that I have found to create master mixes from my individual WAV.
files is to send the signal to an external mixer that then routes the
signal back to the microphone input on my soundcard. This, of course,
requires that you have a very quiet mixing board through which to route
the mix, though even having such a device still adds a bunch of
circuitry to a sound that really doesn't need the complication. You find
yourself battling a whole new layer of overtones and electronic sounds
that have nothing to do with what you wish to accomplish, which is just
to get your recording into a cleanly assembled portable format.
There are commercial solutions available, of course. I
have been using Wondershare Streaming software, which seems to work well
but produces only an MP3 formatted file, versus the richer .WAV format
you could get with the "What U Hear" function.
If someone knows of a solution to the loss of the "What U
Hear" recording function, beyond what I have suggested, I know myself
and many others would love the help. Send suggestions to Rick@RARWRITER.com.
- RAR
UC-Denver
Music Business Program Ranked Among Top 10 in the Nation
Billboard Magazine
recently released a review of the music business programs offered by the
nation's universities, and ranking among the top 10 was the program at
the University of Colorado-Denver's College of Arts & Media. That
program is led by Chris Daniels, an
Assistant Professor in the CU system, who began working in that program
in 2007. It is impressive how quickly the program has achieved a level
of distinction, and it is another feather in the cap of Daniels, who has
been a central figure in the music coming out of Colorado since the
early 1970s. There is a good
Wikipedia site devoted to his career, which besides featuring the
band he is best known for - Chris Daniels & The
Kings - also details his collaborations with a host of
top-drawer talent. Chris writes a column for
Colorado Music Buzz (use
this link) focused on music business management, and it is well
worth following.
Use this link to learn more about the CU College of Arts & Media
Music Business Program.
|
For God's Sake, Pastor
Richie, Save Us!
Music and God
When
Robert Plant mounted the
balcony of the Hyatt Regency Hotel on the Sunset Strip in L.A.
in 1975 and declared himself a "golden god", it was of a piece
with something that has been a part of pop culture, and
particularly pop music, since in the beginning...
Music is obviously important to people - to
their psyches, their emotional states of being - and so it is a
natural extension that some musical performers begin to equate
their capacity for exciting audiences with a manifestation of
"god powers" (for lack of a better describer). When
Andrew Lloyd Webber and
Tim Rice wrote the rock opera "Jesus Christ
Superstar" people unconsciously said "of course". Jesus
Christ, as he is popularly depicted, looked like a member of
Lynyrd Skynyrd and he sang just like
Ian Gillian (Deep
Purple, Black Sabbath); in fact, was Ian Gillian
on the album that launched the Broadway and London East End
Musical productions, and later became an awful movie.
Clearly, if Jesus was here today, he would
sing to you. That doesn't make any sense, and yet it makes
all the sense in the world if you think about the elemental
power of music.
In the R&B and gospel worlds there have always been
preacher-singers because so many in the Black community come up
performing in their churches, and some of them (e.g.,
Little Richard, Al Green, who
both became ministers at the height of their popularity) return
to the church and gospel music at a certain stage in their
career. (They may not stay there.) That seems sort of natural, somehow.
For reasons unclear to me, you don't seem to get the same
spiritual migration among white entertainers. You get
Elvis Presley putting out gospel
albums, but you don't get Reverend Jerry
Lee Lewis. I would use more current references, except
that younger people today are less involved with church
organizations than ever before. U2
(hardly a current reference) began their musical life as a kind
of pro-Christian, if not exactly a "Christian Music", band
though I would be hard-pressed to find a religious message
extending much beyond occasional religious references in their
music. They don't really seem to broadcast faith in anything
other than fame and freedom of personal expression. They don't
portray as evangelicals. Like Jerry Lee Lewis, they talk a
certain talk that they don't actually put much skin into.
NOTE: In
Johnny Cash's autobiography, Cash: The Autobiography,
Jerry Lee Lewis is described as a devoutly Christian guy
"who was also troubled by the sinful nature of his own
material, which he firmly believed was leading him and his
audience to hell."
A key aspect of certain strains of
Christianity (e.g., Evangelicals, Jehovah's Witnesses,
Pentacostals) is the concept of bringing others to Christ,
"saving them" as it were. That makes everyone in those faiths
minions of the Savior, or saviors themselves. Within the core
professional music community, and particularly within that part
of it that emanates from Nashville, Tennessee, in the heart of
the Bible Belt, there is a large contingent of passionate
believers in the lord and savior Jesus Christ. And from within
that group you get a lot of evangelists who work their peer
group for converts, and in the process help to cleave the music
world into political camps, liberal and conservative, so-called.
If you are a believer, a Christian, there is a greater than
equal probability that you will also align yourself with
"conservative" political agendas. According to the Pew Research
Group, in 2011 70 percent of white evangelical Protestant voters
either identified as Republicans or said they leaned toward the
Republican Party. (Use
this link for detailed survey information.) That trend is
growing, with fewer and fewer white evangelical Protestants
associating themselves with the Democrats. On the other hand,
there are fewer and fewer young people associating themselves
with church organizations over all, which means the core
Christian group that make up the Republican Party are mostly old
and reaching the end of their days. Their numbers are not
likely to become replenished, because in the western world
general education and the development of critical thinking has
eroded the integrity of those religious mythologies that were
constructed in relatively recent human history. People have largely
jettisoned the dogmas and rituals of organized religion, and
laid claim to a search for spiritual awakening and
fulfillment, which may mean anything to anybody. We are well
into a "new age".
Still, there remain those remnants of current
day/old world thinking, and we have an excellent case study in
the person of evangelical music Pastor
Richie Furay. Furay first surfaced in New York City as a
member of the Au Go Go Singers,
before making his fame in the latter 1960s and early 1970s with
Buffalo Springfield and
Poco. He also converted, maybe a little past the
height of his fame in 1974, to become a pastor at a
non-sectarian Christian Church in Colorado. The story goes that
multi-instrumentalist Al Perkins
brought Furay to the Lord. These days, Furay drops Old
Testament Bible quotes onto his Facebook site every day, many of
which feature the most suspicious and judgmental aspects of that
old world tract. He has few committed Facebook followers,
but those who respond seem like the kind of folks who are
tickled pink to have a real rock star as their church pastor. To
me it wouldn't feel so bad if the "music" of Furay's religious
tracts didn't feel so damningly mean spirited, and right
leaning. But then such is much of the Old Testament, which
details the violence of a warrior clan led by the general Moses
in their quest to conquer competing tribes, and even murder
allies, in their desire to lay claim to that area we now know as
Israel. The only thing "spiritual" about that story is the claim
made by its authors that the entire venture was sponsored by
God.
That the actual story depicted in the Old
Testament has somehow been cut up into sound bites for
context-free modern day consumption, and for Facebook postings,
says volumes about the public's connection, or lack thereof, to
the principle details of that "old world" mythology. The same
could most certainly be said of the Quran. That lack of depth
makes hucksterism a pretty easy game to play, and so there are
radicals of every stripe.
Not since the Summer of Love have we seen
peace merchants such as Donovan and The Beatles. You would need
to be a reggae enthusiast to find that vibe now. What we do
still have is the
Elmer Gantry aspect of religion, i.e., people who are
running businesses and using the tax benefits of being a
registered religious operation to fund the development of their
sectarian fan bases.
In our celebrity-obsessed world, don't you sort of suspect
that when the man comes to town, ala the Johnny Cash
song, he'll be riding in a tour bus?
- RAR
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Flo & Eddie and Music Business
Management
Bassist Freebo - remember Bonnie Raitt in her hey day and the
wonderful bands she presented? - found this 1990 video of the wonderful
Flo & Eddie (The Turtles) doing a little riff on their surreal experience with
music industry management. It is pretty funny, if also a little tragic,
unless you don't feel that Flo & Eddie should eat. Personally, I loved
The Turtles and would feed them, given the chance.
- RAR
Obey the Beard
- Psychostick
Chicago-based comedy rock kings
PSYCHOSTICK are excited to share their
latest offering nine months after a successful crowd-funding campaign to
build a studio with a promise of new material. Now that day has come and
the humorecore masters are ready to unleash their 4th full length
installment, IV: Revenge of The Vengeance, due out on November 4,
2014.This latest album from the band's laugh factory is the follow up to
2011's Space Vampires VS Zombie Dinosaurs in 3-D and 2013 singles the
beard anthem "Obey The Beard" (debut at #14 on US radio metal charts)
and "Dogs Like Socks" (over 1 million views on youtube), which also
appear on the new album, along with tons of new tracks such as "Quack
Kills," "So. Heavy," "Blue Screen," "Bruce Campbell" (a tribute to the
21st century's most beloved action super hero), plus guest appearances
by Bill Manspeaker (founder of Green Jello), Neil Patterson and Rob
Nichols from Downtown Brown, and many, many more comedy sing-a-longs
ready for the road.
Jim Photoglo
The Impact of Music on Young People
Jim Photoglo
has a gorgeous voice, and coming from his most recent album (Halls of My
Heart) is its title song, with its echoes of Don McLean's "American
Pie". "Halls of My Heart" lacks "American Pie's" sing along chorus and
general bounce and will never be a hit, but it is touching in a way that
anyone who was ever inspired by a musician will appreciate. Photoglo
released two charting albums in the early 1980s and had two hit singles,
"We Were Meant to Be Lovers" (#31, 1980) and "Fool in Love with You"
(#25, 1981). After his career as a pop star, he became a successful
country music songwriter in Nashville. He wrote songs for Garth Brooks,
Faith Hill, The Everly Brothers, Dusty Springfield, Leroy Parnell, Patty
Loveless, Highway 101, The Oak Ridge Boys, Pam Tillis, Tanya Tucker,
Travis Tritt, Neil McCoy, John Anderson and Kathy Mattea. Four
recordings made the Top Ten of Billboard Magazine’s Country Charts, and
two went to #1: "Fishin’ In The Dark" by the Nitty Gritty Dirt Band and
"Hometown Honeymoon" by Alabama. He released solo albums again in the
1990s and 2000s. Photoglo was also one of four members of a short-lived
novelty country band called Run C&W, who recorded two albums for MCA
between 1993 and 1995. His most recent folk album, Halls of My Heart,
was released July 2014.
Churchwood
Austin's
Top Rock Outfit? Churchwood Rides the Hystery Train
The
Doors may not immediately come to mind when you think of Austin's rock
band Churchwood. Still, check out
this performance from earlier this year and tell me you don't hear Jim
and Robbie all over this track. It just needs an organ transplant,
called a Manzarek in the business. Cool song from a cool band. That's
their new album there to the right. That is either the image of Jesus on
the back of a pig - surely no blow-back expected on that - or it could
be Ian Gillian, in which case people would just assume the pig was
wearing a shirt.
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Use this link to go to the previous
edition, where you will find additional links to other archived
editions.
Highlights of the previous
edition included an interview with Chris Tapp of The Cold Stares.
Double
Stops and Joint Pain
Just for the
sake of sharing, I wanted to tell you all about this weird experience I
had of late using Tiger Balm to address a joint issue.
I had been
having a great deal of discomfort with the first joint on the first
finger of my left hand. It was particularly stressful to play double
stops on the guitar, such as you get with an F chord in the first
position, stopping the top two strings, B and E. I suspect that
the condition was caused by these double stop actions, and it was
getting to a point of real discomfort, to where I would have to stop
playing.
One day, for
lack of a better idea, I put Tiger Balm around the whole joint and then
gently opened and closed my hand to exercise the joint a bit. I just
sort of laid off the instrument playing for a day. Then the next day, I
repeated the same process. Miraculously, to my mind, by the third day
the discomfort had completely abated and it has never returned, despite
my returning to my constant state of obsessive string pulling and keys
tinkling.
I share this
for no reason greater than that I am astounded by the results derived
from the use of this substance that has been around since the 1870s. I'm
not totally sure how "balm" is produced, but
do feel terrible about all of those tigers that must have been sacrificed to
create the product. - RAR
Drivin' N' Cryin' Documentary
Atlanta indie band Drivin’ N’ Cryin’,
still going strong as they are about to celebrate the 30th anniversary
of their founding in 1985 by singer/songwriter Kevn Kinney, guitarist
Tim Nielsen and drummer Paul Lenz, are the subjects of the evh pic/Shanzing
Films documentary Scarred But Smarter (life n times of drivin n cryin).
The film, named after the group’s 1986
debut album, was directed and financed by Eric Von Haessler, a founding
member of the famed Atlanta morning show team of The Regular Guys on
WNNX Rock 100.5, who devoted three years of his life to bringing the
history of the band to the screen. After rave reviews from various
screenings, including the Atlanta Film Festival, the movie will be
released on DVD and BluRay in record stores and Amazon.com on November
4th and is available now at www.scarredbutsmarterdoc.com
“I knew Drivin’ N’ Cryin’ were great,”
says Von Haessler. “I wanted to know why they weren’t more of a rock ’n’
roll success. What I found out is they are."
Crash Course in Copyrights
It should go without saying that music
copyright is a pretty complicated topic. After our recent series of
articles on the topic, we received a number of questions from readers
asking for further clarification. In light of those requests, we put
together a handy little cheat sheet for cover songs and copyright, and
we're offering it for FREE on our site.
That's right, you won't have to dig for
answers or, worse yet, ignore the issue and wind up in a heap of trouble
down the road. The guide will give you a starting point for your cover
song and copyright conundrum, regardless of what it is!
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