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September 2010 Edition

E-MAIL CONTACT:
Rick@RARWRITER.com 

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RAR TUNE OF THE WEEK:

 

Two More New Tunes This Edition - This week's RAR originals include one for choreographer Sonya Tayea and dancer Courtney Galiano (see story on "Your Time Is Running Out" on Artist News), and one for no good reason at all ("Stupid Things To Do").

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Additional RAR originals may be heard from the RAR MySpace site. Click on the MySpace banner below to go there.

 

 

 

CONTENTS

In this Edition

Featured Artists

Artist Resources

Music Reviews

Book Reviews

Publisher Essays

Cinema

About RARWRITER.com

Archives

 

 

Strange Stories

 

Photo: deiman.nl

SPECIAL SECTIONS

RARadio

Written Arts

Fine Arts

Fashion & Design

Media

Public Policy and Politics

Soundscan Charts

 

 

SPECIAL REPORTS

Artist Dream Project

Artist Management

Blues Series

 

 
CONTRIBUTOR ARTICLES

Doug Strobel's "You Can't Get There From Here" Music Education Series

 

 

THE "LINKS AT RARWRITER"
At Large
Austin
Australia
Boston

Canada
Chicago
Colorado
Europe
Miami/Florid
a
Japan
Los Angeles
Minnesota
Nashville
New Orleans/Louisiana
New York City
Philadelphia
Phoenix
San Diego

San Francisco
Scandanavia
Seattle
United Kingdom

 

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FEATUREDARTISTS:

Click here to go to the Featured Artist page: 

 

Photos, streaming MP3s and more!!!

ESSAYS Click here

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MUSIC REVIEWS
(click here)
:

RAR reviews LPs from Michael ONeill (Ain't Leavin' Your Love), Sarah Stanley (Tuesday Girl), Hilary York (In The Dark), Tom Corwin and Tim Hockenberry (Mostly Dylan), The Boxmasters (Modbilly), Mad Buffalo (Wilderness), and others. Also read reviews from RARWRITER contributors Doug Strobel and Diana Olson.

 

 

 

BOOK REVIEWS AND MORE (click here): This edition, RAR takes a long look at Philip K. Dick, Edgar Allan Poe, Samuel Clemens and The Iowa Writer's Workshop. Read earlier RAR reviews, including a look back at David Halberstam's The Reckoning, and Alan Greenspan's book "The Age of Turbulence."

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ARTIST INDEX:

Click here to go to the Index page to find the artists profiled on the Links at RARWRITER.

 

J. Vermeer -  "The Artist In His Studio"

 

"THE LINKS AT RARWRITER" - Links to information on creative communities of the following cities, regions and countries:

At Large

Austin

Australia

Boston

Canada

Chicago

Colorado

Europe

Miami/Florida

Japan

Los Angeles

Minnesota

Nashville

New Orleans/Louisiana

New York City

Philadelphia

Phoenix

San Diego

San Francisco

Scandanavia

Seattle

United Kingdom

 

ARCHIVES: Selected features from past editions.

 

RARADIO: Click here to go to the RARadio page to hear innovative acts from across the spectrum of musical genres.

 

POLITICAL LINKS -

points of view not necessarily endorsed by RARWRITER.com

 

ATLAS SHRUGS

FACTCHECK.ORG

 


 

FEATURED LINKS:

The Gibson guitar folks have a Lifestyle zine section on their website that is well worth checking. Click here.

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RARWRITER.com Annual "State of the Union" Report 2008-2009.

Click here for information about RARWRITER.com viewership and the further development of the RARWRITER enterprise.

 

RARWRITER
CONTRIBUTOR PROSPECTUS

RARWRITER.com is exploding with new readers, new artist profiles, and new business opportunities. Would you like to become involved as an editorial contributor? If you are a great writer or photographer with particular knowledge of your creative community, and you are looking for publishing credits, contact us at Rick@RARWRITER.com for a copy of the RARWRITER Contributor Prospectus to learn what involvement can mean for you.-RAR

 

 
 

 

 

 

 

PROJECTS

Rice Family History

My understanding is that my paternal great-grandparents, Charles Jerome Rice and Laura Maris Rice, were first generation Americans descended from Irish heritage, or possibly English on Laura's side. Charles was the son of a pioneering homesteader who moved to the Nebraska plains when it was still unsettled territory. 

 

I have in my possession leather diaries that date from 1883 to the early 20th century in which Charles, or C.J. as he was called, kept meticulous records of his day-to-day activities starting from the time he was around 20 years of age. These are on gracious loan to me from my Aunt Lillian Rice, the daughter of C.J.'s youngest son Walter, and they provide an extraordinary window into life on the plains in the 19th Century.

Left: C.J. and Laura, photographed in Davenport, Nebraska on their wedding day in 1885.

Laura was a teacher, whose family had moved west from Pennsylvania to Illinois, where she attended teacher's college, then on to Missouri. She was teaching in the Davenport area when she and C.J. met.

After their wedding, they moved into their first home, a remote "soddy" on the plains in Nucholls County, Nebraska.

 

Below Left: The C.J. and Laura Rice Family's first home in Nucholls County, Nebraska. Below Right: The Rice's Hays County soddy, established in 1887.

 

 

Above: The sod house on the left was the house C.J. Rice moved his new bride Laura Maris into in 1885. It was located in Nucholls County, Nebraska. C.J. and Laura are pictured, along with their team and various farm animals. In 1887, C.J. moved by wagon to Hayes County, Nebraska and built the more refined soddy shown on the right. C.J. and Laura are pictured on the right side of the frame, along with Roy, their first born to survive. The identity of the other family pictured, and why they were there at the Rice home, is not known.

I have mentioned elsewhere on this site that our family experienced a devastating house fire in February 2005. We lost virtually everything, including several years of work I had done toward bringing the history of the Rice family to life in a variety of forms. Among what was lost were hours of interviews I had done with my grandfather Walter Rice, C.J.'s youngest son. For me, this was the hardest loss to take. Along with the leather bound diaries, the interviews were serving as the foundation for my book Up On the Blue, referencing the family's humble beginnings along the Blue River in Nebraska.

Miraculously, the C.J. Rice diaries survived that fire, though they were at ground zero of an inferno that began in my office and took all of my digital files and most of my hard copy manuscripts. A primary focus of mine these days is rebuilding my oeuvre of unpublished works. All are dear to me, but none of those "recovery" projects is more dear than completing the work I started on our family's history. I have the utmost respect for people who get their stories on paper for future generations to read, and for the family historians (like my Aunt Lillian Fielding on my Father's side, Second Cousin Kenny Most and Aunt Lonnie Frick on my Mother's). How else can we really understand who we are? And how can we begin to relate to the travails of others unless we have an understanding of from where it is we came?

 

 

©Rick Alan Rice (RAR), August, 2009

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